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Individual Artists

Ai Mitsu: Ai-Mitsu, Tokyo, The Mainichi Newspapers, 2007

Aida, Makoto: ‘Makoto Aida: Donki-hote’ (review), ArtAsiaPacific, No. 47, 2006; Charlesworth, J.J, ‘Makoto Aida: Man in the Holocene (at IBID Projects)’ (review), Flash Art, Vol. XXXVIII, No. 244, October, 2005. ; Maerkle, Andrew, ‘Makoto Aida. No more War; Save Water; Don’t pollute the Sea’, in ArtAsiaPacific, No. 59, July/August, 2008, pp. 132 – 141; Maerkle, Andrew, ‘No More War; Save Water; Don’t Pollute the Sea’, in Art Asia Pacific, No. 59, 2008.

Akasegawa Genpei: review Robinson, Joel, ‘Genpei Akasegawa at SCAI The Bathhouse’, Exhibition Reviews, Thailand Feature, Asian Art News, Vol. 12, No. 1, January/February 2002

Aki Kuroda: Collectif, Kuroda, Paris, Maeght, 2002

Ando Tadao: ‘Ando Tadao Special Issue’, The Japan Architect, vol 1, No. 1991; Pare, Richard & Ando Tadao, Tadao Ando : couleurs de lumière, Paris, Phaidon, 2001.

Aoki, Ryoko: (review) ArtAsiaPacific, No. 48, 2006.

Aoshima, Chiho: Kandell, Susan, ‘Chiho Aoshima: Oops, I Dropped My Dumplings’, Art & Text 73, May-July 2001. ; review, Art in America, Vol. 93, iss. 9, Oct 2005.

Arai Shin-ichi: Angramy, Bérénice, Social Tensions : Arai Shin-ichi – Creativity and Abject Nationalism’ in Art Asia Pacific, No. 40 (Spring 2004), pp. 70-73

Araki Nobuyoshi: Sawaragi Noi, ‘Desire and Decay’, World Art, No.2, 1995; Silva, Arturo, ‘Tokyo: Nobuyoshi Araki’, Artforum International, Vol.30, Issue 5, January 1992; Decter, Joshua, ‘Nobuyoshi Araki’, Artforum International, Vol.36, Issue 6, February 1998. ; Araki Nobuyoshi, Love Hotel, trad. du japonais par Karine Chesneau, Denoël, 2004, 240 p; Ammann, Jean-Christophe, Araki Nobuyoshi, Araki Mythologie, Paris, Images modernes, 2001, 252 p; ‘Nobuyoshi Araki: Self. Life. Death’ (review), ArtAsiaPacific, No. 48, 2006; Zhang Wubin, ‘Of Love and Flowers’, Asian Art News, Vol. 15, No. 3, 2005; review, Artforum, vol 44, No. 1, Sep 2005; Sans, Jérôme, Araki par Araki, Taschen, Berlin, 2001, 600 p; Sans, Jérôme, Araki, Cologne, Taschen, 2002, 632 p. ; Okazaki, Manamai, ‘Shashinjinsei: Nobuyoshi Araki’s photo journey’, in Art Monthly Australia, Issue No. 211, July 2008, pp. 17 – 19. ; Sans, Jérôme, Araki par Araki, Taschen, Berlin, 2001, 600 p. ; Sans, Jérôme, Araki, Cologne, Taschen, 2002, p. 632; Yi, Hyewon, ‘Crossing Boundaries: An Interview with Nobuyoshi Araki’, in Trans-Asia Photography Review, Vol. 1, No. 2, Spring 2011, available online, http://quod.lib.umich.edu/cgi/t/text/text-idx?c=tap;view=text;rgn=main;idno=7977573.0001.205; Okazaki, Manamai, ‘Shashinjinsei: Nobuyoshi Araki’s photo journey’, in Art Monthly Australia, Issue No.: 211, July 2008, pp. 17 – 19.

Ban, Chinatsu: review, Art in America, Vol. 93, iss. 9, Oct 2005.

Ciezo, Taro: Spring, Justin, ‘New York: Taro Chiezo’, Artforum International, Vol.34, Issue 10, Spring1996

Dumb Type: Hagenberg, R., ‘Heartbeat with a hiccup’, Asian Art News, Vol.5, No.2, March/April 1995; Tripp, Laura, ‘Dumb Type, smart noise’, World Art, No.2, 1996. ; Shikata Yukiko, ‘White out’, Art AsiaPacific, 27, 2000

Ekaku, Hakuin: Morgan, Robert C. ‘Zen and the Art of Calligraphy’, in Asian Art News Vol. 20, No.6 November/ December 2010

Emi Kinuko: Emi Kinuko: Retrospective, Momiyama Masao (ed), Kamakura & Hayama: Museum of Modern Art, Kanagawa, 2004.

Enoki, Chu: review, Artforum, Vol. 45, Iss. 2, 2006.

Ezawa, Kota: review, Parachute, 121, 2006.

Faret Tachikawa: ‘Art into Function’, Asia-Pacific Sculpture News, Vol.1, No.1, Winter, 1995.

Fuiji, Hikaru: Krischer, Olivier, ‘Hikaru Fujii: The Revolution Will Be Televised, Live’, in Last Words, 4A Centre for Contemporary Asian Art, Sydney, 2010.

Fuji Hiroshi, Nakamura Masato, Nishiyama Minako: Kuroda Raiji, ‘Something strange in the cities - Three Japanese artists living in Japan’ in Fukuoka Art Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994; Grout, Catherine, ‘Masato Nakamura, What Goes on Between’ in Parachute, 115 (2004), pp. 72-83

Fujiwara, Yasuko: ‘Yasuko Fujiwara Contemporary Art Factory’ (review), Flash Art, Vol. XXXIX, No. 248, May-June, 2006.

Fukami, Sueharu: Ebony, David, 'Sueharu Fukami at Garth Clark', Art in America, Vol. 90, Issue 12, December 2002

Furuhashi, Teiji: Brown, Azby, ‘Tokyo: Teiji Furuhashi’, Artforum International, Vol.34, Issue 1, September 1995. ; London, Barbara, ‘Teiji Furuhashi: Diamonds are Forever’, ArtAsiaPacific, No. 51, 2007.

Genpei, Akasegawa: Genpei, Akasegawa. ‘The Art That Destroyed Itself’, translated Clark, John, in Reconstructions, Oxford, Museum of Modern Art, 1985; : Tomii, Reiko, ‘Akasegawa Genpei as a Populist Avant-Garde: An Alternative View to Japanese Popular Culture’, in Kontur: Culture, History, Politics, Tidsskrift for Kilturstudier, No. 20, årgang 2010; Tomii, Reiko, ‘Before Tomason: Akasegawa Genpei’s Print Adventures—Model 1,000-Yen Note Incident and The Sakura Illustrated,’ in Genpei, Akasegawa, Hyperart Thomason, trans. Matthew Fargo, New York: Kaya Press, 2010, p. 375-90; Tomii, Reiko, ‘State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company’, in Positions, Vol. 10, No. 1, Spring 2002; Tomii, Reiko, ‘Akasegawa Genpei as a Populist Avant-Garde: An Alternative View to Japanese Popular Culture’, in Kontur, No. 20, Special Issue: ‘Visualizing Asian Modernity’, 2010, available online: http://kontur.auinstallation05.cs.au.dk/fileadmin/www.kontur.au.dk/Kontur_20/Microsoft_Word_-_VAM-TOMII_MOD.pdf

Gim Gichang: Joohyun Lee, ‘In Search of Identity: The Figurative and Abstract Works of Gim Gichang from 1945 to 1970’, in Orientations, Vol. 35, No. 5, June, 2007.

Higashida, Zero: Borum, Jenifer P., ’Reviews: Zero Higashida’, Artforum International, Vol.30, Issue 6, February 1992

Higashionna Yuichi: review, Contemporary Visual Art, 29, 2000

Hirakawa Noritoshi, Kitagawa Yuji, Bulbous Plants: Shikata, Y., ‘Breaking Tokyo’s Taboos’ World Art, November 1993; Lumby, Catherine, ‘Public Image’, World Art, No.1, 1996; Decter, Joshua, ‘Noritoshi Hirakawa’, Artforum International, Vol.37, Issue 6, February 1999

Hiroshi, Kitao: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002.

Hiroshi Teshigahara: Ashton, Dore, The Delicate Tread Teshigahara’s Life in Art, Tokyo: Kodansha International, 1997

Hitoshi, Nomura: Tomii, Reiko, ‘The Culture of Showing: The Operational Context for Nomura Hitoshi’s Early Works’, in Hitoshi Nomura: Early Works, (Exhibition Catalogue), New York, McCaffery Fine Art, 2010, p. 68-79.

Hosokawa, Fumimasa: review, Art in America, Vol. 93, iss. 9, Oct 2005.

Hyakuda, Tatsuzo: review, Flash Art, Vol. XXXIX, No. 251, Nov-Dec 2006.

Ikeda, Ryoji: Koplos, Janet, 'Shadows and symbols' [review Ryoji Ikeda and painter Kazumi Nakamura], Art in America, Vol. 91, Issue 4, April 2003; Lanctot, Nicole, ‘Ryoji Ikeda’ in Artforum, Vol 47, Iss. 5, Jan. 2009, p. 138; review, Artforum, vol 44, no. 1, Sep 2005.

Ikemura, Leiko: review, Artforum, vol 44, No. 1, Sep 2005.

Imamura, Shohei: Niogret, Hubert, Shohei Imamura - entretiens et témoignages, Paris, Dreamland, 2002, 215 p.

Ishihara, Tomoaki: Shiner, Eric C., ‘Portraiture through Production’, ArtAsiaPacific, No. 49, 2006.

Isozaki Arata: ‘Arata Isozaki’, The Japan Architect , 1993-4;

Itô, Tôyô : Itô, Tôyô, Tôyô Itô : structures légères, détails, trad. du japonais par Kae Oki et Carine Cheval, Paris, Moniteur, 2003, 263 p.

Kaihatsu, Yoshiaki : ‘Yoshiaki Kaihatsu: Ceiling’ (review), ArtAsiaPacific, No. 47, 2006.

Kaneko, Jun: Yood, James, ‘Chicago: Jun Kaneko’, Artforum International, Vol.34, Issue 5, January 1996.

Kaneuji, Teppei Keehan, Reuben, ‘Four Long Paragraphs’, in Contemporary Visual Art+ Culture Broadsheet, Vol. 40, No. 1, March 2011.

Kaoru Arima: Vergne, Phillipe, ‘Kaoru Arima’ in Art Asia Pacific, Issue 37 (2003), p. 88

Kaoru, Isima: Griffin, Tim, ‘Billboard: Isima Kaoru, Traffic Accident’, Art & Text 74, Aug.-Oct. 2001

Kasahara, Emiko: Cheung, Stephanie, ‘Seeing Self’, Asian Art News, Vol. 15, No. 5, 2005.

Kawara On, Woo Jung-Ah, ‘Terror of the Bathroom: On Kawara’s Figurative Drawings and Postwar Japan’, in Oxford Art Journal, Vol. 33, Issue 3, October 2010, p. 261-276; Woo Jung-Ah, ‘On Kawara’s Date Paintings: Series of Horror and Boredom’, in Art Journal, Vol. 69, Issue 3, Fall 2010, p. 62-72.

Kenji Yanobe: Sumitomo, Fumhiko, ‘Kenji Yanobe at the National Museum of Art’ (Review) in Art Asia Pacific, No. 39, Winter 2004, p. 85

Kitagawa Atsushi: ‘Atsushi Kitagawa’, The Japan Architect 1992-4; Brown. Azby, ‘Tokyo: Atsushi Kitagawara’, Artforum International, Vol.30, Issue 4, December 1991.

Kobayashi, Shinchiro: review, Art in America, Vol. 93, iss. 9, Oct 2005.

Kubota Sjhigehiko: S(h)igeko Kubota: Video Sculptures, Berlin, Daadgalerie, 1981.

Kudo, Tetsumi: Chong, Doryun, ‘Proliferating Chain Reaction’ (Interview), in Art Asia Pacific, No. 62, March/ April 2009; Holmberg, Ryan, ‘Dystopia man: Tesumi Kudo: nuclear angst and ecological breakdown are specters haunting the first U.S. retrospective to treat this major figure of the Japanese postwar era’, in Art in America 97.3, March 2009, p. 96(8); Kastner, Jeffrey, ‘Tetsumi Kudo’, in Artforum, Vol 47, Iss. 3, Nov. 2008, p. 348.

Kuniyasu, Takamasa: Koplos, Janet, 'Takamasa Kuniyasu at MACA', Art in America, Vol. 90, Issue 11, November 2002; Clark, Timothy, Kuniyoshi, Royal Academy, 2009.

Kuramata, Shiro: Pascucci, Ernest, ‘San Francisco: Shiro Kuramata’, Artforum International, Vol.35, Issue 9, May 1997

Kurokawa Kisho: ‘Kisho Kurokawa’, The Japan Architect 1995-2;

Kusama Yayoi: Friis-Hansen, Dana, ‘Yayoi Kusama’s Feminism’, Art & Text 49, September 1994; Love Forever, Yayoi Kusama, 1958-1968, Los Angeles, Los Angeles County Museum, 1998 [rev: Chattopadhyay, Charlotte , Asian Art News, Vol.8, No.3, May/June 1998]; Munroe, Alexandra, ‘Radical Will: Yayoi Kusama in New York’, Art AsiaPacific, No.16, 1997; Birnbaum, Daniel, ‘Yayoi Kusama’, Artforum International, Vol.40, Issue 4, December 2001; Matsui, Midori, ‘Beyond Oedipus: Desiring Production of Yayoi Kusama’, Parkett, No. 59, 2000; Panhaus-Bühler, Ursula, ‘Between Heaven and Earth: This Languid Weight of Life’, Parkett, No.59, 2000; Pollock, Griselda, ‘Three Thoughts of Feminity, Creativity and Elapsed Time’, Parkett, No.59, 2000. ; Flanagan, Sue Morrow ‘International Bonds’, ArtAsiaPacific, No. 48, 2006; ‘Yayoi Kusama’ (review), ArtAsiaPacific, No. 45, 2005; review, Asian Art News, Vol. 15, No. 3, 2005; Kuresawa Takemi, ‘An unwritten biography’, Art AsiaPacific, 30, 2001; King, Natalie, ‘In full bloom’, Art AsiaPacific, 26, 2000.

Kurosawa, Kiyoshi: Taubin, Amy, ‘Weights and Measures’, in Artforum International, Vol. 47, No. 2, March 2009.

Lee U-fan: Chiba, Shigeo, Gendai bijutsu ittsudatsushi 1945-1985, Shobunsha, 1986, p.122; Lee Ufan, The Search for Encounter, Samsung Museum of Modern Art, 2003; Lee, Ufan, ‘Mannam ui hyeonsanghakjeok seoseol (Introduction to encounter)’, Space (August, 1975), pp.50-57; Lee Ufan, Yeobaek ui misul (Art of the empty space), trans. by Kim Chun-mi, Hyeondae Munhak, Seoul, 2002. ; Koplos, Janet, ‘Clamour and Quiet: Concurrent Museum Surveys of Work by Two Important Figures Evoked Contrasting Impulses in Post-War Japanese Art’, 94:3, Art in America, March 2006. ; Yamawaki, Kazuo, ‘Aspects of Contemporary Japanese art centred on Lee U-fan’, in Seven Artists: Aspects of Contemporary Japanese Art, Santa Monica, Santa Monica Museum of Art, 1991; Westfall, Stephen, ‘Opposites and essences: Lee Ufan: in Lee Ufan's quietly resonant work, iron and stone are arranged with the care of brushstrokes on canvas, and painted marks attain the weight of sculpture’.(FOCUS ASIA) in Art in America 96.11 (Dec 2008): 114(6).; Rawlings, Ashley. “Illusions and Interrelationships” ArtAsiaPacific Issue 62 Mar/Apr 2009.

Machida, Kumi: revivew, Flash Art, Vol. XXXVIII, No. 242, May-Jun, 2005.

Maki Fumihiko: Maki Fumihiko’, The Japan Architect 1994-4;

Masato Tanaka: Lim, Shing Ee., ‘Interview with Masato Tanaka’, in Vehicle: Contemporary Visual Arts, No.10, 2003, p.8-11.

Matsue, Taiji: review, Artforum, Vol. 44, Iss. 10, 2006.

Matsui, Chie: Shiner, Eric C., ‘Portraiture through Production’, ArtAsiaPacific, No. 49, 2006.

Matsui, Fuyuko: review, Asian Art News, Vol. 16, No. 5, 2006.

Matsutani, Takesada: Gómez, Èdward M., ‘Matsutani’s Moment’, in Art in America, May 2010.

Minako Kitayama: Vergne, Phillipe, ‘Minako Kitayama’ in Art Asia Pacific, Issue 37 (2003), p. 90

Miwa Yanagi: review, Art in America, Vol. 94, iss. 2, Feb 2006; Effedy, Rifky, ‘Miwa Yanagi’ in Art Asia Pacific, Issue 37, 2003, p. 42.

Miyagi, Futoshi: review, Artforum, Vol. 45, iss. 5, 2007.

Miyajima Tatsuo: Auping, Michael, Tatsuo Miyajima: Big Time, London, Hayward Gallery & Forth Worth, Modern Art Museum of Fort Worth, 1996-7; Fouser, Robert J. ‘Life without zero: an interview with Miyajima Tatsuo’, Art AsiaPacific, No.17, 1998; Miyajima Tatsuo interview with Lynne Cooke and Mark Francis, in Carnegie International 1991, Vol.I, Pittsburgh, The Carnegie Museum of Art & New York, Rizzoli, 1991; Odom, Michael, ‘Tatsuo Miyajima’, Artforum International, Vol.35, Issue 8, April 1997; Miyajima Tatsuo: Big Time, London, The South Bank Board, 1997 [review Kent, Art AsiaPacific,No.18, 1998]; Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist’s Book Series, Tatsuo Miyajima, Whole Relitivity of the Cosmos 133651, Kitakyushu: Center For Contemporary Art, 1998; Parkett, ‘Insert- Tatsuo Mijajima’, Parkett, No. 34, 1992; Gookin, Kirby, ‘Tatsuo Miyajima’, Artforum International, Vol.39, Issue 7, March 2001. ; King, Natalie, ‘Tatsuo Miyajima’, Art and Australia, Vol. 43, No. 3, 2006.

Miyake, Shintaro: review, ArtAsiaPacific, No. 49, 2006.

Miyako, Ishiuchi: Lew, Christopher Y., ‘All About my Mother: Miyako Ishiuchi’, ArtAsiaPacific, No. 45, 2005; Holmberg, Ryan. 'Miyako Ishiuchi: Meguro Museum of Art’. in Art in America,7.5, May 2009, 168 (1).

Momoko: review, Asian Art News, Vol.12, No.4, 2002

Mori Mariko: Blair, Dike, ‘We’ve got twenty years’, Purple Prose, 9, Summer 1995; Magnan, Kathleen, F., ‘The artist as model - Mori Mariko’, Art & Asia Pacific, Vol.3, No.2, 1996; Bryson, Norman, ‘Cute Futures: Mariko Mori’s Techno Enlightment’, Parkett, No.54, 1998-1999; Goodeve, Thyrza Nichols, ‘Mariko Mori’s Cyborg Surrealism’, Parkett, No.54, 1998-1999; Nakazawa, Shin’ichi, ‘No Angels Here, Yet She Lives’, Parkett, No.54, 1998-1999; Celant, Germano, ‘External present’ in Mariko Mori: Dream Temple, Milano, Fondazione Prado, 2000; Molon, Dominic, ‘Countdown to ecstasy’, Chicago, Museum of Contemporary Art & London, Serpentine Gallery, 1998; Sugiura Kunie, ‘Interview with Marioko Mori’, Journal of Contemporary Art, 1998, http://www.jca-onnline.com/mori.html; Ueno Toshita, ‘Techno-orientalism and media-tribalism: on Japanese animation and rave culture’, Third Text, 47, Summer 1999. ; Fouser, Robert, ‘Mariko Mori/ Avatar of a Feminine God’, Art & Text 60, Feb.-Apr. 1998; review Asian Art News, Vol.9, No.5, 1999; Reast, Hans Rudolf, ‘Geneva: Mariko Mori’, Artforum International, Vol.32, Issue 2, October 1993; Panicelli, Ida, ‘Mariko Mori’, Artforum International, Vol.38, Issue 2, October1999; Rhee, Jieun, ‘From Godess to Cyborg: Lee Bul and Mariko Mori’ in N. Paradoxa, Vol. 14, 2004 (July, 2004). ; review, Artforum, Vol. 45, iss. 5, 2007; Johnson, Ken, ‘Mariko Mori’s Wave UFO, IBM Atrium’ in Art Asia Pacific, No. 39 (Winter 2004), pp. 54-56.

Morimura Yasumasa: Bryson, Norman, ‘Morimura: 3 Readings’, Art & Text 52, September 1995; Tatehata, Akira, ‘On Criticism and the Lover: An Interview with Yasumasa Morimura’, Art & Text 36, May 1990; Annear, J., ‘Peepshow’ ART AsiaPacific, No.13, 1997; Annear, Judy, ‘Mirrors in the water: the work of Morimura Yasumasa’, in McDonald, E. & Engberg, J. eds, Binocular: Focusing, Time, Lapses, Sydney, Mo’t & Chandon, 1992; Bryson, Norman, ‘Yasumasa Morimura’, Artforum 32, No.5, January 1992; Bryson, Norman, ‘Yasumasa Morimura: Mother (Judith II), Artforum International, Vol.32, Issue 5, January 1994; Avgikos, Jan, ‘Yasumasa Morimura’, Artforum International, Vol.35, Issue 8, April 1997. ; Shiner, Eric C., ‘Morimura Yasumasa: Out of the Corner of a Small Room, Painting Develops’, ArtAsiaPacific, No. 47, 2006; review, Art News, 100,8, 2001; review, Contemporary Visual Art, 26; Annear, Judy, ‘Yasumasa Morimura and Yukio Mishima – Seasons of Passion in TAASA Review. The Journal of the Asian Art Society of Australia, v.17, No. 3, September 2008, p. 22-23.

Moriyama Daido: Zdenek, Felix, ed., Daido Moriyama: Shinjuku 19XX-20XX, Hatje Cantz, Ostfildern, 2006; Collectif, Moriyama Daidoh, cat. d’expo. à la Fondation Cartier pour l’art contemporain, Paris / Arles, Fondation Cartier / Actes Sud, 2003, 160 p; Jana, Reena, ‘A blunt reality’, Asian Art News, Vol.9, No.5, 1999; Levi Strauss, David, ‘Daido Moriyama’, Artforum International, Vol.38, Issue 7, March 2000; Rawlings, Ashley, ‘Out of Darkness’, in Art Asia Pacific, No. 70, September/ October 2010; Shinyoung Chung, ‘Daido Moriyama’ in Artforum, Vol. 47, Iss. 7, March 2009, p. 263.

Mr.: Maerkle, Andrew, ‘Mr. : Out of Body Experience’, in ArtAsiaPacific, No. 53, May/June, 2007, pp. 74 – 75.

Munakata, Shikō: Munakata Shikô 1903-1975, Sydney, Art Gallery of New South Wales, 1987; Munakata Shikô, Tôkyô, National Museum of Modern Art, 1985; The Woodblock and the Artist: the life and work of Shiko Munakata, South Ban Centre London et.al (eds.), Kodansha International, 1991; Singer, R. and Kakeya, N, Munakata Shikō: Japanese master of the modern print, Philadelphia Museum of Art/ Los Angeles County Museum of Art, 2002.

Murakami, Takashi: Rimanelli, David, ‘Takeshi Murakami’, Artforum International, Vol.38, Issue 3, November1999; Corkill, Edan, ‘Takashi Murakami’, Art Asia Pacific, No.34, 2002; Richard, Frances, ‘Takashi Murakami’, Artforum International, Vol.40, Issue 1, September 2001. ; Kondo, Kenichi, ‘Takashi Murakami’s Lowbrow Launchpad’, ArtAsiaPacific, No. 49, 2006; ‘Little Boy: The Arts of Japan’s Exploding Subculture’ (review), ArtAsiaPacific, No. 46, 2005; Holmberg, Ryan, ‘Little Boy’, Artforum, vol 44, No. 1, Sep 2005; Bellini, Andrea and Leoni, Chiara, ‘Takashi Murkami: A Japanese Character’, Flash Art, Vol. XXXIX, No. 249, July-September, 2006; Rubinstein, Raphael, ‘In the realm of the super-flat’, Art in America, June 2001. ; Maerkle, Andrew, ‘Belly of the Beast. Takashi Murakami’, in ArtAsiaPacific, No. 55, September/October, 2007, pp. 134 – 139; Alicia Volk, “Murakami Takashi,” in Sara Pendergast and Tom Pendergast, eds., Contemporary Artists, 5^th ed., Detroit, St. James Press, 2002, 2: 1148-1150.

Murata, Yuko: review, Flash Art, Vol. XXXVIII, No. 243, July-September, 2005.

Murata,Takeshi: review, Art in America, 94:10, November 2006.

Nagai, Megumi: review, Asian Art News, Vol. 15, No. 1, 2005.

Nagare, Masayuki: Koplos, Janet, ‘Masayuki Nagare at Jason McCoy’, Art in America, Vol. 90, Issue 9, September 2002

Nagashima Yurie, Ninagawa Mika, Hiromix: Kaihotsu, Chie, ‘Shooting from the hip’, ART AsiaPacific, No.13, 1997; Steinberg, Marc, ‘Charecterizing a New Seriality: Murakami Takashi’s Dob Project’ in Parachute, 110 (2003), pp. 90-109.

Nakahara, Masaya: Sanders, Jay, ‘Polymathically Perverse’, in Artforum International, Vol. 48, No. 1, September 2009.

Nakamaura Masato: Shikata Yukiko ‘Sign of the Times: Masato Nakamura and Command N.’ Art Asia Pacific 24:1999

Nakamura, Kazumi: Koplos, Janet, 'Shadows and symbols' [review Ryoji Ikeda and painter Kazumi Nakamura], Art in America, Vol. 91, Issue 4, April 2003

Naoshima: Itoi, Kay, ‘The Art island’, Art News, 101, 3, 2002; Reed, Arden, ‘‘Living well’ on Naoshima’ Art in America, Vol. 90, Issue 9, September 2002

Nara Yoshitomo: review, Parachute, 121, 2006; review, Artforum, Vol. 45, iss. 4, 2006; review, Art in America, Vol. 93, iss. 10, Nov 2005; review, Art AsiaPacific 29, 2001; Meneguzzo, Marco, ‘Yoshitomo Nara’, Artforum International, Vol.41, Issue 1, September 2002; Chiu, Melissa & Tezuka, Miwako, eds. Yoshitomo Nara: Nobody’s Fool, New York, Abrams, Asia Society, 2010

Natesan, Shibu: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002

Nguyen-Hatsushiba: Devenport, Rhana., ‘In the Public Domain: Towards the Complex…’ (review), in The Journal of the Asian Arts Society of Australia, Vol. 12, No. 4, December 2003, p.14-15.

Nishi, Tatzu: Nicholls, Christine. “Resculpting the Past: Tatzu Nishi in Sydney” in Asian Art News, Vol. 20 No. 3 (June 2010).; Wee, Darryl. “Tatzu Nishi: What if Someone Finds Out?” ArtAsiaPacific Issue 65, Sep/Oct 2009.

Nishizawa, Chiharu: review, Asian Art News, Vol. 16, No. 5, 2006.

Nobuhiko, Obayashi: Rayns, Tony, ‘The House that Roared’, in Artforum International, Vol. 49, No. 3, November 2010.

Nobuya, Hoki: review, ArtAsiaPacific, No. 48, 2006.

Noguchi, Isamu: Herrera, Hayden, ‘Noguchi’s Odyssey’ (book review), Art in America, Vol. 93, iss. 1, Jan 2005; Lyford, Amy, ‘Noguchi’s Multiform Modernism’ (book review), Art Journal, Vol. 65, iss. 4, 2006; Collectif, Isamu Noguchi Sculptural Design, Maison de la Culture du Japon à Paris, Vitra Design Museum, 2002, 320 p.; Winther-Tamaki, Bert & Cort, Louise, Isamu Noguchi and Modern Japanese Ceramics: A Close Embrace of the Earth, Washington, D.C.: The Arthur M. Sackler Gallery and Berkeley: University of California Press, 2003; Winther-Tamaki, Bert, "Stone Pied-à-Terre and Space-Age Steel: Isamu Noguchi and the Credo of Truth to Material" in Isamu Noguchi, Sculptural Design (Weil am Rhein, Germany: Vitra Design Museum, 2001), pp.186- 218.

Nomura, Hitoshi: review, Art in America, 94:11, December 2006.

Ohmaki, Shinji: Rawlings, Ashley, ‘Shinji Ohmaki: The Colour of Space’, in Art Asia Pacific, No. 60, September/ October 2008.

Okawa Shin’ichi: ‘Shinichi Okawa’, The Japan Architect 1997-1;

On Kawara: Cameron, Don, ‘The On Kawara Story’, Arts Magazine, 61, No.2, October 1986; Denizot, René, On Kawara, Frankfurt, Museum für Moderne Kunst, 1991. ; ‘On Kawara. Consciousness. Meditation. Watcher on the Hills.’, ArtAsiaPacific, No. 47, 2006; review, Artforum, vol 46, iss. 5, Jan 2005; Collectif, On Kawara. Consciousness, Meditation, Watcher on the Hills, cat. de l’exposition au Consortium et à l’Ikon Gallery, Dijon, Birmingham, Presses du reel, Ikon, 2002, 334 p.

Ono, Yoko: Rhee, Jieun, ‘Performing the Other: Yoko Ono’s Cut Piece’, Art History, 28:1, February 2005.

Orimoto, Tatsumi: review, Art in America, 94:8, September 2006; Robinson, Joel, ‘Tatsumi Orimoto at the Kawasaki City Museum, Asian Art News, Vol. 12, No. 5, September/October, 2002.

Oshima, Nagisa: Rosenbaum, John, ‘The Sun Also Sets’, in Artforum International, Vol. 47, No. 2, October 2008.

Otsuka, Hiroki: Shiner, Eric C., ‘Hiroki Otsuka: From Ero-Manga to Ero-Pop’, ArtAsiaPacific, No. 48, 2006

Ozawa, Tsuyoshi: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002

Ozu, Yasujiro: Ishaghpour, Youssef, Formes de l’impermanence : le style de Yasujiro Ozu, Tours, Farrago, éd. Léon Scheer, 2002, 101 p.

Rika, Noguchi: Schwendener, Martha, ‘Rika Noguchi’, Artforum International, Vol.39, Issue 9, May 2001; Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002

Ritsuko, Taho: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1^st Fukuoka Asian Art Triennale 1999 [The 5^th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999

Saiki, Katsuhiro: Tomii, Reiko, ‘ “An Invitation to ‘Comparative Art History”: Katsuhiro Saiki and Christoph Weber’, (self-translation from Japanese), in SUMAZO 2006, Vienna, SUMAZO, 2006.

Sakagami Chiyuki: Shiner, Eric C., ‘Sakagami Chiyuki: Set Adrift in the Precambrian Sea’, ArtAsiaPacific, No. 48, 2006.

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