David Reeder
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- PROFESSIONAL EXPERIENCE
- Redback Networks Core Networking Group March 2000 to July 2001
- Trusted Information Systems Group Lead; Independent Research October ‘97 to February 2000
- DARPA Research Assistant to Lead; Point of Contact April 1996 to Sept. 1997
- EDUCATION
- MUSIC PERFORMANCE AND SOUND INSTALLATIONS
- PUBLICATIONS
David Reeder davidreeder@mobilesound.orgSKILL SETOver 15 years professional experience in software development and Internet protocol design spanning commercial, educational and government operations in the areas of networking, operating systems, security and Internet standards. Current Focus ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Swift/Objective-C and iOS app design and development, niche problem solving, custom network protocols, micro-networking, deep services and backend support. Primary Languages –––––––––––––––––––––––––––––––––––––––––––––––––––––––– Swift/Objective-C, iOS frameworks, C, C++, SuperCollider, UNIX Secondary Languages :: Java, Javascript Operating Systems :: iOS, Darwin/OSX, Linux, BSD/SysV, Windows Cryptography Libraries :: SSL, BSAFE, HiFn, nCipher, SSH Sound Libraries/Tools :: Core Audio, Max/MSP/Jitter, SoftVNS, Finale, Sibelius, ProTools Signal Processing Tools :: Labview, Matlab, Octave Development Tools :: Git, Subversion Development Methods :: Design Patterns, REST, Agile Analytics :: Amazon S3, Logstash, Elastic, Kibana, Hive Code Examples ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
Coding Experience –––––––––––––––––––––––––––––––––––––––––––––––––––––––– Mobility * News * Messaging * Digital Advertising * Networking and Routing (LAN, WAN, mesh, ad hoc) * Security (IPSec, SNMPv3, key management) * IETF standards development and implementation (IPSec, Mobile-IP, DNS, EAP, SNMPv3) * Socket Interface and Kernel Extensions * Client/Server Architecture Design
machines worldwide. Apple AppStore Apps ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– AppNexus SDK App https://itunes.apple.com/us/app/appnexus-sdk-app/id736869833?mt=8
Additional Skills ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Anthropology, linguistics. Spanish. Classical and electronic composition and performance practice, musical engraving, transcription. Micing/mixing, production, conducting. My music works and installations have been presented in the US and Germany; workshops presented in New York on SuperCollider and sound design; installation shown in major cities across the US. Organizations ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
Presentation Venues –––––––––––––––––––––––––––––––––––––––––––––––––––––––– International Computer Music Conference (ICMC) * Creative Tech Week, NYC * Leaders in Software and Art (LISA) * Harvestworks * San Francisco Computer Music Meetup * Morlan Gallery * NYC SuperCollider * NYCEMF * Make Music New York (MMNY) * Beall Center for Art + Technology * Bosi Contemporary Gallery
AppNexus iOS Engineer August 2016 to present Focus: Open source SDK enabling app developers to monetize via AppNexus real-time bidding engine (RTB) and via mediation including all well-known advertising exchanges. Research and development for ad-tech including video, VPAID, MRAID, standard mobile and web ad display formats. Sensitive to trends in creative, web, desktop and ubiquitous computing. Maintenance and consulting for existing apps. iOS Apps: AppNexus SDK App Mobile Sound Software Engineer; Sound Design November 2010 to present Focus: Research, design and development of software/hardware solutions to implement audio tools for mobile applications and interactive media art. Brain-Computer Interface (BCI) via iOS to generate coherent, user controlled music with brainwaves. * Extention of Open Sound Control (OSC) standard. * Adapt iOS NTP to synchronize geographically distributed musical performance. * Custom DSP noise cancellation via iOS Core Audio. * Zero-configuration, sentient mobile mesh network as dynamic delivery platform for interactive multi-media. * Wappen Field sculpture installation, a 12-channel immersive audio diffusion for manipulated voice. * Eyebeam Sound Summit, live sound via custom network protocol. * Interactive Oral History project for Reed College Centennial. * Dansemuse, a configurable gestural control interface that signals movement via Open Sound Control (OSC). Languages: iOS/Swift/Objective-C, Java, C++, SuperCollider iOS Apps: No Dominion HockeyApp: NearZeroTickTock, nOne, Frequencer New York City Assistant Director, Executive, Electroacoustic Music Festival Committee, Installation Czar June 2013 to present
performance, tape, video and spatialized sound. NYCEMF has become part of the annual cycle for serious composers in the US and internationally, an opportunity to share music and build community. New York City venues include Abrons Arts Center, National Sawdust, NYU Graduate Center, ShapeShifter Lab, Galapagos. My roles include assistant director, installation curation and production, concert engineer, concert design and production, technical consultant, advisor to online production, publicity, diplomat, judge, janitor, stagehand, administrator, catering, composer and performer.
MuseAmi iOS Engineer December 2014 to August 2015 Focus: Infrastructure design, development and UI/UX to support optical music recognition (OMR). Topic areas include Core Audio, Core Data, custom view management, deep linking, machine learning, music engraving systems, music licensing security, cloud support of resource sharing, comparative analytics via Elastic, Logstash and Kibana.
Lua Technologies iOS Engineer September to November 2014 Focus: Rapid, customer-driven development of features and updates to a popular enterprise messaging app. Topic areas include concurrency, RESTful client/server interaction, API design, database management and synchronization, security, dynamic UI/UX, resource sharing and economical adaptation to end-user decision making.
iOS Apps: Lua Columbia College Chicago Software Engineer October 2011 to June 2014 Focus: Video routing, semantic tagging; web applications; gesture analysis. Design and development of real-time performance tool to coordinate playback and control of semantically tagged media resources distributed across a local network. Use of touch pad to gather and categorize gestures to drive performance practice. Aurnhammer iOS Software Engineer Contractor November to December 2013 Focus: iOS feature development and maintenance. Contributed to next generation of Aurnhammer AppStore apps, including SayIt and ShopKeepPOS. Introduced analytics into ShopKeepPOS. Researched Core Audio stack and developed real-time audio prototype for SayIt. Testing and bug resolution for other apps including The Animal Alphabet Singers.
Emerging Media Program Development, Pedagogy July 2011 to August 2013
support for legacy software art; website maintenance. Custom interface to programmable hardware, updating and porting historical software installations to current hardware platforms, cross-domain website migration. Responsibilities include classroom instruction. Languages: Java, Max/MSP, Jitter and C++ Environments: Linux, OSX/Darwin, Arduino, Processing Sensorstar Software Engineer; Signal Processing August to October 2012 Focus: Became local expert on data types and algorithmic programming with Labview signal processing environment. Contributed a timely, team-based, pair-coding solution to a high-risk, short-term contract. Sensorstar engages challenge problems that require imaginative approaches in search of long-term, game changing industry solutions. Methods includes sensor automation, custom GPS-based electronics, 3D visualization, complex audio/visual systems, robotics and image analysis. The Technical Committee Internet Protocol Design Engineer May to October 2010 Focus: Review of documentation describing software security mechanisms utilized by the Microsoft Message Queuing system. Contributed to the larger effort implementing the 2002 settlement of the Microsoft antitrust case. Music Technology and Composition Composer; Director August 2006 to June 2009 Focus: Contemporary classical composition and electronic music; six collaborations with choreographers and dancers. Studied foundations of classical composition and expanded my use of technological tools for electronic music. Public performances showcased a variety of works including classical compositions, music for dance, traditional tape music, sound design based on custom audio processing tools and interactive electronic instruments. Honors include: Commission for Oregon Bach Festival Composers' Symposium. * Scholarships to Nadia Boulanger school in Paris. * 60x60, a national electronic music showcase. Aventail Corporation Software Engineer; Program Management Oct. 2004 to Mar. 2006 Focus: FIPS security standard; program management; customer escalations; build and install automation. Managed and directed integration of FIPS 140-2 security standard into server appliances by an international team of developers. Provided consultation on cryptographic requirements, key management and cryptography API usage. Software lead for escalation team, handling customers ranging from government, Internet and Fortune 500 companies. Developed scripting environment to support installation, rollback and dependency management of custom software updates. Aventail was acquired by SonicWALL in 2007. Media and Music, Study and Performance Composer; Curator; Director October 2002 to September 2004
Began acoustic composition, also developed custom audio processing tools and software electronic instruments. Experience auditioning, hiring, and managing professional musicians and performers. Private study at Manhattan School of Music and Brooklyn College. Lecture, performance and concert curation in New York metropolitan area. Demonstrated expertise with tools for music engraving and audio recording including Finale, Sibelius, Max/MSP and ProTools. Composed and performed acoustic works for string trio, percussion sextet, voice and chamber ensemble; electro-acoustic works for tape and live, interactive performance.
Flarion Technologies Software Engineer September 2001 to September 2002 Focus: IP telephony; QoS; access router. Design and development of RPC mechanism to manage Voice-over-IP application. IETF work in EAP and PANA working groups. Flarion was acquired by Qualcomm in 2005. Redback Networks Core Networking Group March 2000 to July 2001Focus: Virtual private network (VPN) hardware/software. Adapted microcode operations of HiFn 6500. Created interface between HiFn and SSH numeric processing libraries. Embedded kernel development. Debugging Internet protocols exchanges over L2TP, PPP, PPPoE, and AAA. Trusted Information Systems Group Lead; Independent Research October ‘97 to February 2000Focus: Network security research and development. Implemented MIB internals and cryptographic services for SNMPv3 User-Based Security Model. Designed and implemented API for IP Security under FreeBSD. Research and development of key management tools including automatic interfaces. Authored IETF Internet Draft defining use of Triple-DES with SNMPv3 USM. Government proposals and standards creation. Trusted Information Systems, creator of Gauntlet Firewall, was acquired by McAfee in 1998 (then doing business as NAI Labs). DARPA Research Assistant to Lead; Point of Contact April 1996 to Sept. 1997Focus: Mobile-IP and IP Security. Development of Mobile-IP client and server applications. Integrated IP Security with Mobile-IP routing stack in FreeBSD kernel. Developed fast handoff algorithm based on radio signal strength. Instrumental in demonstrating IETF bi-directional tunneling requirement. Inter-operability testing. EDUCATIONNadia Boulanger pedagogy (European-American Music Alliance). July 2008. Manhattan School of Music. Private study. 2002-2004. Brooklyn College. Performance and Interactive and Media Arts. 2003-2004. New School. Audio Engineering Certificate. 2003-2004. Portland State University. Bachelor’s of Computer Science. 1991-1996. Internship at Intel Super Computing Division (1995). Reed College. Language, anthropology, philosophy. 1988-1990.
Wappen Field, 12-channel immersive audio for sculpture. Morlan Gallery (Lexington, Kentucky, September-October 2015); Beall Center for Art+Technology (Southern California, Oct 2013 – Jan 2014); BOSI Contemporary (Manhattan, July-August 2012); Bushwick Open Studios (summer 2012); Queens Art Express (spring 2012); Art Prize (Michigan, fall 2011). Oregon Bach Festival Composers' Symposium. July 2005. No Dominion, iOS app for mobile choir. For Pete Wyer with Make Music New York (MMNY). June 2014. Darmstadt Internationale Ferienkurse für Neue Musik. August 2004. Performance as composer, electronic musician, pianist, tenor. New York (2012-2016, 2002-2004); Seattle (2005); Germany (2004).
http://mobilesound.org/vision-of-a-new-instrument-orchestra Mobile Phones as Ubiquitous Instruments: Towards Standardizing Performance Data on the Network Nathan Bowen, David Reeder. Presented at International Computer Music Conference (ICMC), September 2014. http://mobilesound.org/ubinetstan.pdf Extension to the User-Based Security Model (USM) to Support Triple-DES EDE in "Outside" CBC Mode David Reeder, Olafur Gudmundsson. SNMPv3 Working Group, Internet-Draft. October 1999. http://www.snmp.com/eso/draft-reeder-snmpv3-usm-3desede-00.txt Internet Key Management and Distribution: Architecture and Toolkit Report O. Gudmundsson, B. Wellington, D. Reeder, M. Badger, R. Mundy. NAI Labs Advanced Security Research Journal, Fall 1998. http://mobilesound.org/NAILabs-KMT.pdf Download 51.82 Kb. Share with your friends:
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