Music Theory - Course Syllabus
Scot Schickel, Instructor, sschickel@pontiac.k12.il.us
844-6113 (W) or 674-2355 (C)
Course Overview
Music Theory I is a full year course giving the student an extensive background in the harmonic materials of music in the style of the 17th, 18th, and 19th centuries. In addition to studying the fundamentals of music theory and harmonic materials of music, students will continue to hone their ear training skills in melodic and harmonic dictation and sight-singing, continue the use of computer technology as available, and study the history of music of the Medieval, Renaissance, Baroque, and Classical periods. Much of the work of this course is programmed individualized instruction, lab-based, or project oriented. This course has a prerequisite of concurrent enrollment in Band or Chorus.
Course Objectives
A. MUSIC THEORY AND COMPOSITION
After study in the text and through class discussions and supplementary assignments, the student is expected to understand:
The basic fundamentals of music such as, but not limited to, keys, scales, modes, notation, clefs, rhythm, and chords
The analysis and use of nonharmonic tones
The analysis and composition of cadence types
Harmonic analysis utilizing Roman numerals, macro analysis
Harmonic construction of triads and seventh chords in all inversions
An introduction to the realization of figured bass symbols
EAR TRAINING/SIGHT SINGING/KEYBOARD – After much drill and study regarding intervals, rhythm, melodies, scales, modes, triads, and harmonic progressions, the student will be able to:
Dictate melodic and harmonic intervals--notating answers and/or analyzing the dictated intervals numerically and by quality
Dictate units of rhythm in varying meters
Dictate various simple melodies
Identify by sound major, minor, augmented, and diminished triads
Identify by sound scales – major, minor (including all forms), modes, whole tone, pentatonic, and octatonic
Identify by sound chord progressions in major and minor keys, including inversions and seventh chords
Notate the bass and soprano line from a chord progression
Demonstrate skill in singing melodies which contain intervals in the dominant and minor tonality in simple and compound meters
Play short excerpts on the piano keyboard of intervals, chords, cadences, and short progressions from exercises in the texts
Textbooks
Benward & Saker, Bruce & Marilyn. Music in Theory and Practice. 7th edition. Boston:
Allyn & Bacon, 1998. Workbook included.
Benward, Bruce. Ear Training, A Technique for Listening. 7th edition. New York, NY, 2005. Includes web-site access to audio examples and exercises online.
Kerman, Joseph. Listen. 3rd brief edition. New York: Worth Publishers, 1996.
Ottman, Robert. Music for Sightsinging, 2nd edition. Englewood Cliffs, NJ: Prentice Hall, 1967.
Supplementary Texts
Benjamin, Thomas, Michael Horvit, Robert Nelson. Music for Analysis. Examples from the common-practice period and the twentieth century. 5th ed. Belmont, CA: Wadsworth, 2001.
Gauldin, Robert. Harmonic Practice in Tonal Music. 2nd ed. New York, NY: W.W. Norton, 2002. Text, workbook, CD’s.
Lefkoff, Gerald. Analyzed Examples of Four-Part Harmony. Morgantown, WV: Glyphic Press, 1980.
Spencer, Peter. The Practice of Harmony. 4th ed. Upper Saddle River, NJ: Prentice Hall, 2000.
Lab: Finale Notepad and Finale (theory/ear training drill & computer notation)
Grading
60% Written Tests & Quizzes
10% Ear Training Tests & Quizzes, Sight-Singing, and Keyboarding Skills.
10% Homework Completion
10% Projects as assigned
10% Classroom Participation
Course Outline
1st Quarter
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2nd Quarter
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3rd Quarter
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4th Quarter
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Sound & Time
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Scales
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Intervals
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Chords
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Vibration
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Diatonic Scales
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Perfect, Major and Minor
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Harmony
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Frequency
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Scale Degree Names
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Consonance and Dissonance
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Chords
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4 Properties of Sound
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Major Scales
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Augmented and Diminished
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Triad
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Notation of Pitch
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Tetrachord
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Enharmonic Intervals
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Root of the Triad
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Staves
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Transposition
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Inversions of Intervals
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Major, Minor, Dimished, Augmented
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Clefs
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Key Signatures
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Compound Intervals
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Triad Stability
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Nomenclature
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Minor Scales
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Transposition Project
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Triad Positions
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Accidentals
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Scale Relationships
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"La Stravanganza"
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Root Position
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Intervals
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Tonality
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"Brandenburg Concerto No 5"
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First Inversion
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Enharmonics
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Pitch Inventory
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"Fugue in C sharp"
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Second Inversion
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Whole Steps
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Transcription Project
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"Orchestral suite No 3"
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Third Inversion
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Half Steps
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"O Magnum Mysterium"
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"Rodelinda"
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7th Chords
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Notation of Duration
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"The Coronation of Poppea"
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"Messiah"
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Roman Numeral Analysis
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Ties
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"Dido and Aeneas"
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"Christ lag in Todesbanden"
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Figured Bass
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Dots
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"Sonata da Chiesa"
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Ear Training
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Figured Bass Symbols
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Rhythm
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Ear Training
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Unit 4 Melody A,B,C,D
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Harmonic Cadences
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Meter
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Unit 3 Melody A,B,C,D
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Rhythm A & B
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Rhythmic Cadences
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Time Signatures
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Rhythm A & B
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Unit 5 Melody A,B,C,D
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NonHarmonic Tones
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Dynamics
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Ottman 81 thru 145 Odds
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Rhythm A & B
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Unaccented and Accented NHT
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Transcription Project
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Ottman 126 thru 169 odds
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Suspensions and Resolutions
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"In Paradisum"
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"Symphony No 40"
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"Columba Aspexit"
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"Symphony No 88" All Mvts
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"La Dousa Votz"
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"Piano Sonata in B flat"
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"Alleluia: Nativitas"
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"Concerto No. 17"
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"Quant en Moy"
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"Concert in G"
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"Ave Maris Stella"
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"String Quartet in A"
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"Pange Lingua" Mass
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"Don Giovanni"
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"Pope Marcellus" Mass
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Ear Training
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"As Vesta…"
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Unit 6 Melody A,B,D
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"Daphne"
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Rhythm A & B
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"Kemp's Jig"
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Unit 7 A,B,D
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Ear Training
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Rhythm A & B
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Unit 1 Melody A, B, C, D
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Ottman 170 - 203
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Rhythm 1A
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Unit 2 Melody A,B,C,D
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Rhythm 2A
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Ottman 1 thru 80 Odds
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Multimedia Presentation Project
Create a multimedia presentation for parents, other teachers, or students utilizing the SHRMG music project from the first week of class.
Objectives
Demonstrate skills with features of presentation and multimedia software
Develop skills in using images and sounds to reinforce ideas
Understand considerations for planning a presentation and making choices about which presentation materials are appropriate.
Engage students in listening critically to music to discover the use of musical materials by a composer
Criteria for a Quality Project
Clear purpose for presentation
Well-organized content
Attractive and consistent design and layout
Use of appropriate graphics
Use of appropriate sound
Readiness for use with an audience
Directions
Clarify to yourself who the audience for the presentation will be. Clarify the purpose of the presentation and organize your ideas. Think about the size, lighting, and layout of the room for the presentation and the equipment you may have available.
Required Components
At least six slides
At least one picture from some source other than PowerPoint clip art
Transition effects, as appropriate
Sound: Using at least one of these sources
Playing an audio CD in CD-ROM drive using a custom audio CD which you have burned yourself
A MIDI file
A digital WAV file
Speaker’s notes for each slide
On the Speaker’s notes for the first slide, explain the audience for the presentation, its purpose, and where the presentation is likely to be given.
Add your name and date and any other pertinent information to the Handouts Master before you print them.
Optional Components
Save your presentation as HTML and put the folder of the resulting files on the music department web-site. On the Speaker’s Notes for the first slide, type the URL to your presentation.
To complete the project:
Put the following in an envelope labeled with your name and turn it in to the teacher:
Your printed Notes and Handouts.
Your custom audio CD which you burned, if you used an audio CD with your sound source.
Your original SHRMG for the piece from the first week of the quarter
Put a copy of all your files in your home directory in a folder named “Multimedia project”. Then put a copy of that folder in the shared file of your teacher, in the folder labeled “Music Theory”.
Grading:
This project is worth 40 points of your project grade for the first quarter (10% of the quarter grade). It will be graded in the following categories, using a standard four-point rubric in each category.
4=Exemplary 3=Excellent 2=OK 1=Not present
_____ Demonstrates skill with features of presentation and multimedia software
_____ Uses images and sounds to reinforce ideas.
_____ Considers appropriate use of materials for audience.
_____ Demonstrates a clear purpose for presentation
_____ Content is well-organized and understandable
_____ Attractive and consistent design and layout utilizing
_____ Use of appropriate graphics to enhance learning
_____ Use of appropriate sound
_____ Readiness for use with an audience
_____ Presentation to audience
_____ Total points (40 points)
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