Pestvidéki Ásványbánya Vállalat


Sólyom, László and his Associates



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Sólyom, László and his Associates – On February 1949 the State Security Police arrested lieutenant generals László (Ladislas) Sólyom, and Gusztáv (Gustavus) Illy, and major- generals István (Stephen) Beleznay, Kálman (Coloman) Révay, György (George) Porffy, colonel Sándor (Alexander) Lőrincz and Gusztáv (Gustavus) Merényi Ph.D. They were charged - in connection with the Rajk case - with treason and conspiracy to overthrow the “democratic state“; but since they were professional soldiers, the Supreme Military Court handled their cases separately. In 1950, the Court sentenced all of them to death and, after the Supreme Military Court approved the sentences, they were all executed on 19 August 1950. In 1954, the Chief Prosecutor requested a re-examination of their case from the Supreme Military Court. In its decision the Court, partly in the absence of criminal activity and partly due to lack of evidence, acquitted all of the sentenced and executed persons. The real purpose of this “sham rehabilitation“ was not to reveal the complete truth, but to save all those from responsibility, who had contributed to the illegal sentencing and execution of the six generals. On 4 September 1990, the Chief Prosecutor asked the Presidential Council of the Supreme Court to annul the 1954 sentences on the grounds that they had violated the then existing laws. Though the re-examination of the case encountered difficulties due to the loss of the original documents around 1962, the Supreme Court conceded to the request and Colonel Ede Raboczki of the Military Court announced the annulment of the 1954 sentences. In the absence of any criminal activity, the six generals were acquitted of all the charges that had been brought against them, and they were rehabilitated. – B: 1020, 1031, T: 7665.→Illy, Gusztáv; Rajk, László.
Solymosi, Zoltán (Budapest, 12 December 1967 - ) – Dancer. He obtained his diploma from the State Ballet Institute, Budapest in 1988; in his final year, he was on scholarship with the Dutch National Ballet; then became solo dancer of the company for two seasons. Later he was guest soloist with various great ballet companies of Europe, e.g. Munich (1990) and La Scala, Milan (1990-1991), among others. In 1992 he became the permanent solo dancer of the Royal Ballet, London (1991-1995) and was engaged as soloist with the English National Ballet in 1996. He became an assistant lecturer at the Ballet Institute in 2005. Solymosi is a performing artist of extraordinary natural endowments, with an outstanding technique. He has also appeared regularly at the Opera House, Budapest. His roles include Prince in R. Van Dantzig’s Swan Lake; Prince in Ashton’s Cinderella; Petruchio in Cranko’s The Taming of the Shrew; Vronsky in L. Pártay’s Anna Karenina; Des Grieux in MacMillan’s Manon, and Oberon in Ashton’s The Dream. His TV appearances include Romeo and Juliet, Swan Lake and Cinderella. In 1989 he was “The Dancer of the Year” in Holland; he received the Gyula Harangozó Prize and the Knight’s Cross of the Order of Merit of the Republic of Hungary in 2006. – B: 1445, T: 7456.
Solymossy, Elek (Alec) (Sipos) (Tövis, now Teiuş, Transylvania, Romania, 25 January 1847 - Budapest, 3 January 1914) – Actor, manager and theater director. He first entered the stage as a student of Gusztáv (Gustavus) Hubay in 1867 in Szabadka (now Subotica, Serbia), and later was engaged with the Folk Theater (Népszínház) of Buda. Afterward, he went to Makó; in 1873 he attempted to acquire unsuccessfully the position of director in Losonc (now Lučenec), Rozsnyó (now Rožňava), Pozsony (now Bratislava, Slovakia) and Temesvár (now Timisoara, Romania). In 1875 he became a member of the People’s Theater, newly opened in Pest; where he played for almost three decades. Solymossy appeared on stage for the last time on 16 December 1905. He played equally brilliantly the serious and sentimental, young and old, comic and operetta roles. He was also engaged in literature and in social, political problems. In 1881 he took over the management of the Training School of Dramatic Art (Gyakorló Színésziskola), founded by Antal (Anthony) Bártfai. In 1886 he established the nightclub called Hungarian Song Hall (Magyar Dalcsarnok). He went into retirement in 1908, initiated a School of Dramatic Art at Debrecen, carried out some theoretical studies, and set down his findings in a textbook: The Teaching of Dramatic Art (A színészet tanítása) (1896). His other works include Actor’s Diary (Színésznapló) (1912-1913), and The Reform of Hungarian Stage Acting in the Countryside (A vidéki magyar színészet reformja) (1875). His acting roles include Cabriolo in Offenbach’s La Princesse de Trébizonde (A trapezunti hercegnő), and Larivandière in Lecocq’s Mrs. Angot’s Daughter (La fille de Mme. Angot – Angot asszony lánya). – B: 1445, T: 7456.
Solymossy, Sándor (Alexander) (Folklorista, egyetemi tanár, az MTA tagja.Pest, 28 August 1864 - Budapest, 9 April 1945) – Folklorist.Érdeklődése az általános etnológiához, a folklorisztikán belül pedig a népmesék, illetve a hiedelmek eredetének kérdéséhez vonzotta. He studied Hungarian and German Literature at the University of Budapest. From 1894 to 1896 he was a teacher at the Academy of Commerce of Pozsony (now Bratislava, Slovakia). From 1900 he taught at a higher trade school and a high school. He was an honorary lecturer (privatdozent) in Ethnology at the University of Budapest, from 1922. From 1929 to 1934 he was Professor of Ethnography at the University of Szeged, the first in Hungary. He succeeded in educating a new generation of folklorists. From 1919 to 1932 he edited the periodical Ethnographia. He was the first expert in comparative ethnography, and a leading person of Hungarian ethnography. His work centered on folklore, folktales and folk beliefs prior to Christianity. Solymossy was a member of the Hungarian Academy of Sciences (correspondent 1919, ordinary 1933). He was a member of Scientific Societies at home and abroad: Universal Philological Society, Hungarian Linguistics Society, Hungarian Society of Literature, Folklore Fellow, and Semaines d'Ethnologie Religieuse. His publications have appeared in the Nouvelle Revue de Hongrie, and The Hungarian Quarterly.folyóiratokban. Egyéb művei: A líra és az epika eredetéről 1906-7; Arany János népiessége.His works include On the Origins of Lyric and Epic Poetry (A líra és epika eredetéről) (1906–1907); Eastern Elements in our Folktales (Keleti elemek népmeséinkben) (1922); Folksong, Ballad and Saga (Népdal, ballada, monda) (1935); Ancient Hungarian Beliefs (A magyar ősi hitvilág) (1937), and Folktales and Science (A népmese és a tudomány) (1938). – B: 1134, 1031, T: 7103.
Sólyom-Nagy, Sándor (Alexander) (Siklós, 21 December 1941 - ) – Singer (baritone). He studied at the Academy of Music, Budapest, completing his five-year course in four years. As a student of Oszkár Maleczky and Éva Kutrucz, he obtained his diploma in 1966, and became engaged with the Opera House, Budapest, making his debut in the role of Scarpia in Puccini’s Tosca. Two years before his graduation in 1964, he sang the role of Count Ceprano in Verdi’s Rigoletto, in which Sándor (Alexander) Svéd played the leading role. Soon he became the company’s principal baritone, demonstrating his exceptional aptitudes in more than 25 leading roles. He wrote the story of his life in Roots, Branches, Leaves. Solyom-Nagy often appears as a singer of oratorios and songs (Lieder), as well as on the occasion of the introduction of a number of modern works. He has regularly appeared at the Bayreuth Festivals. His singing is always characterized by a perfect singing technique, a voice of uniform coloring and suggestive interpretation. His roles include title role in Verdi’s Falstaff; Iago in Verdi’s Otello; Amonasro in Verdi’s Aïda; Escamillo in Bizet’s Carmen, and Hans Sachs in Wagner’s Meistersinger von Nürnberg. He is a recipient of the Franz Liszt Prize (1972), Merited Artist title (1977), Outstanding Artist title (1988), and the Kossuth Prize (1998). Since 2005 he has been a member of the Society of Immortals. – B: 1445, 1868, T: 7456.→Svéd, Sándor.
Somlay, Artúr (Schneider) (Budapest, 28 February 1883 - Budapest, 10 November 1951) – Actor, teacher of acting. He studied in the School of Dramatic Art of the Comedy Theater (Vígszínház) of Budapest. He went on stage in 1900 and played for one year each at Kecskemét, Pozsony (now Bratislava, Slovakia), Zombor (now Somboe, Serbia), Kolozsvár (now Cluj-Napoca, Romania), and in 1904-1905 in Debrecen. He played as a guest artist at the Comedy Theater in 1905, and at the Town Gardens Theaterette (Városligeti Színkör) in 1906. He played in Győr during 1906 and 1907, then with the Thalia Company, the Metropolitan Cabaret, and the Theater of Miskolc. He appeared on the stage of the Magyar Theater (Magyar Színház) during the 1907-1908 seasons. From 1908 to 1921 he was a member of the National Theater (Nemzeti Színház), Budapest. In 1921-1922 he played in films in Berlin. Then, during the 1920s, he played mostly in the Inner City Theater (Belvárosi Színház), or in the Magyar Theater (and again in 1933). He appeared on stage at the Renaissance Theater (Reneszánsz Színház) from 1924 to 1926. From 1927 to 1944 he played at the Comedy Theater. In 1935 and 1936 he contracted with the National Theater. During the 1920s he also appeared at the New Theater (Új Színház) in 1929, at the Andrássy Boulevard Theater (Andrássy-úti Színház) in 1923, 1928, 1930-1931 and 1939, while for a première each at the National Theater in 1942 and the New Hungarian Theater in 1944. In July 1925 he played on the stage of the Viennese Kammerspiele; in 1931 he played also with occasional companies in various towns in Hungary and Transylvania. In 1945 he appeared with the Comedy Theater and the Markus Park Theater. He was again member of the National Theater from 1946 to 1951. Somlay also worked as a teacher at the Academy of Dramatic Art from 1948 to 1951. He had his greatest successes in heroic roles, but he played in folk plays as well. He modernized Hungarian dramatic art with his sweeping movements, passionate gestures, and impeccable diction. He appeared in a number of films, and on the Radio from 1912 to 1951. He was also engaged in writing novels and stage plays. His roles included Theseus in Shakespeare’s Midsummer-Night’s Dream (Szentivány-éji álom); Tiborc and Petur bán in Katona’s Bánk bán; Oswald in Ibsen’s Ghosts (Kísértetek); title role in Shakespeare’s Hamlet, and title role in Shakespeare’s King Lear; He played in feature films, including Without a Lie (Hazugság nélkül) (1945); Somewhere in Europe (Valahol Európában) (1947), and Western Zone (Nyugati övezet) (1952). He was a recipient of the Kossuth Prize (1948, 1951), of the title of Outstanding Artist (1950), and was made life member of the National Theater of Budapest in 1948. He was a popular and outstanding artist of his generation. – B: 0883, 1504, 1445, T: 7456.
Somló – A wine region of 832 hectares in the Counties of Veszprém and Vas in the northwest region of Hungary (Transdanubia, Dunántúl). Most of the region is situated on the slopes of an extinct volcano, with the ruins of an 11th century castle on the mountaintop, overlooking the plain. The region has a warm climate and the traditional viticulture technology, e.g. vinification in oak barrels, which yields wines with a characteristic acidic-mineral taste. The wines of Somló are always white, and made out of the grape varieties Hárslevelű, Furmint, Juhfark, Riesling, Chardonnay Taminer and Sylvaner. Many years ago, the region consisted of large vineyards of aristocrats; now it is predominantly made up of small plots that rule the landscape, many of them belonging to part-time or hobby vintners. The wines of Somló have a long and celebrated history. The region is said to have rivaled that of Tokaj. In the past, Hungarian pharmacists regarded its wine as medicine (Vinum Somlaianum omni tempore sanum). Habsburg emperors and kings of Austria and Hungary are claimed to have favored Somló wines. According to old lore, drinking Somló wine makes the conception of male children more likely. Hence its nickname: “the wine of nuptial nights” (a nászéjszakák bora). – B: 1031, T: 7103.
Somló, Bódog (Félix) (Pozsony, now Bratislava, Slovakia, 1873 - Kolozsvár, now Cluj-Napoca, 28 September 1920) – Lawyer. He studied at the Universities of Kolozsvár, Leipzig and Heidelberg. Afterwards, he became an honorary lecturer (privatdozent) at the University of Kolozsvár, in Philosophy (1899), in Philosophy of Law (1899) and in Political Philosophy (1903). From 1899 he was a professor at the Academy of Law of Nagyvárad (now Oradea, Romania). From 1905 to 1918 he was a professor at the University of Kolozsvár; in 1918-1919 at the University of Budapest in Philosophy of Law and International Law. In the course of his legal career, he proceeded from positivism to neo-Kantianism, and was one of the first representatives of Stammler’s theory of “correct law” in Hungary. In his later works, he further developed the trend referred to as “general jurisprudence”, further developing the theories of Austin and Stammler, thus seeking the most general elements of law, into which he already included certain social elements as well. For him, the fundamental formula was not the morals, but the importance of power, even though externally he accepted the concept of the constitutional state of Kant. Together with Ede (Edward) Harkányi and Gyula (Julius) Pikler, he took part in the foundation of the Sociological Society. He took his own life. His works include Parliamentarianism in Hungarian Law (Parlamentárizmus a magyar jogban) (1896); Legality in Sociology (Törvényszerűség a szociológiában) (1898); Zur Gründung einer beschreibenden Soziologie (On Foundation of an Descriptive Sociology) (1909); The Concept of Correct Law (A helyes jog elmélete) (1914), and Juristische Grundlehre (Basic Study in Law) (1927). – B: 0883, 1257, T: 7456.
Somló, István (Stephen) (Szolnok, 8 May 1902 - Budapest, 5 April 1971) – Actor, director and writer. He completed his studies in the Academy of Dramatic Art in 1923 and then became a member of the Renaissance Theater (Renaissance Színház) managed by Artúr Bárdos. In 1926 he was contracted to the Comedy Theater (Vígszínház), where he developed into an outstanding actor and he remained its member over several decades. In 1948-1949 he was Director of this theater together with Klári (Clara) Tolnay and Gyula (Julius) Benkő. From 1949 to 1951 he worked in the Inner City Theater (Belvárosi Színház) and, from 1951 to 1959, he was a member of the National Theater (Nemzeti Szanház), Budapest. From 1959 until his retirement in 1962 he was Director of the Comedy Theater. Somló had an elegant, light style and was also outstanding as a reciting artist; he often appeared on Hungarian Radio, where he directed and acted one of the leading roles in the first radio play in Hungary: P. Geraldy’s To Love (Szeretni). He also acted in several films. He worked as an important special writer: together with György (George) Lengyel, he edited the volume Actors, Roles (Szinészek, szerepek) (1959), and another volume entitled Actors, Stage Managers (Szinészek, rendezők) (1965). He is author of Contemporaries and Colleagues (Kor-és pályatársak) (1968). His roles included Praed in Shaw’s Mrs. Warren’s Profession (Warrenné mestersége), and Higgins in Shaw’s Pygmalion. There are 18 feature films to his credit, including This Villa is for Sale (Ez a villa eladó) (1935); Colony Below the Ground (Gyarmat a föld alatt) (1951); Spring in Budapest (Budapesti tavasz) (1955); At Midnight (Éjfélkor) (1957), and Daybreak (Virrad) (1960). He was awarded the Kossuth Prize in 1957, and was presented with the titles of Merited Artist (1956) and Outstanding Artist (1962). – B: 0883, 1504, T: 7456.→Tolnay, Klári; Benkő, Gyula.
Somló, Sándor (Alexander) (Ödön Hlavathy) (Kapos, 1859 - Budapest, 2 September 1916) – Actor, theater director, playwright. After completing his studies in the Academy of Dramatic Art, first he worked in the country, later in the National Theater (Nemzeti Színház), Budapest, playing primarily heroic parts. In 1902 he became director of the National Theater. In 1909 he took the lead of the Academy of Dramatic Art. He wrote a number of plays, but only one, Fra Girolamo was a success (first appeared in the National Theater in 1895). His wife was Vilma Vadnay. He was member of the Kisfaludy Society from 1897 and from the Petőfi Society from 1899. His works include First Love (Első szerelem) comedy (1884); Ovid (1885); The Sabbatarians (A szombatosok) (1899), and Soul Market (Lélekvásár) (1914). – B: 0883, T: 7456.→Vadnai, Vilma.
Somlói galuska (Shom-lo-i gal-oosh-kah) – A popular Hungarian dessert from the Somló region. It is made by layering chocolate and vanilla sponge cake with vanilla custard, raisins, walnuts, chocolate sauce, rum and a generous topping of whipped cream. Similar to a trifle, it tastes better once it has been left to set. – B&T: 1031.
Somlyó, György (George) (Balatonboglár, 28 November 1920 - Budapest, 8 May 2006) – Poet, writer, essayist, translator of literary works; son of Zoltán Somlyó. At a young age he belonged to the poets of the paper West (Nyugat). Gábor Devecseri and Ferenc (Francis) Karinthy were his childhood friends. He was also in personal contact with Miklós (Nicholas) Radnóti, Dezső (Desider) Kosztolányi and Attila József. He became associated with the journal New Moon (Újhold), and he was influenced by French surrealism. Between 1941 and 1944 he was several times called up for forced labor. In 1945 he studied in the Arts Faculty of the University of Budapest. From November 1946 he studied on a French scholarship at the University of Paris (Sorbonne); he lived in France and Italy for a while. In 1948 and 1949 he was dramaturge at the National Theater (Nemzeti Színház), Budapest, then, until 1950, he was head of the reader’s department of the Hunnia Film Factory. In 1954 and 1955 he was in charge of the Literary Section of Hungarian Radio. In 1958 the work entitled Anthology of French Poets (Francia költők antológiája), edited by him, was published with his foreword, and also the first Hungarian edition of the complete life’s work of Rimbauld. In 1965 his first volume of poems in French translation the Souvenir du Présent was published in Paris. In 1966 Somlyó founded the multi-lingual literary almanac, entitled Arion, which he edited until 1987. His volumes of poems and studies appeared in quick succession, including Talisman (Talizmán), volume of poems (1956); The Book of Stories (A mesék könyve) poems (1974); Song of Arion (Arion éneke) (1978); Duet of Paris (Párisi kettős), novel (1990), and Fault Lines (Töresvonalak), poems (1997). In his poetry, almost all verse forms can be found from free verse to the sonnet. Besides his autobiographically inspired prose works, he also published studies and translations of literary works. He was a member of the Parisian Mallarmé Academy and founding member of the Széchenyi Academy of Literature and Art, as well as of the Digital Literary Academy (1998). He was the recipient of numerous prizes and recognitions, including the Attila József Prize (1950, 1951, 1954,1966), Officier de l’Ordre des Arts et des Lettres (1984), the Tibor Déry Prize (1987), the Gyula Illyés Prize (1992), and the Kossuth Prize (1998). – B: 1031, 1257, T: 7456.→Somlyó, Zoltán; Devecseri, Gábor; Karinthy, Ferenc; Radnóti, Miklós; Kosztolányi Dezső; József, Attila.
Somlyó, Zoltán (Schwarz) (Alsódomború, now Dolnja Dubrava, Croatia, southwest of Nagykanizsa, 22 June 1882 - Budapest, 7 January 1937) – Poet, literary translator and journalist. He completed his high school studies in Nagykanizsa From 1901 he lived in Budapest and worked as a jurnalist. Later on he was a journalist in Fiume, the Hungarian port on the Adriatic Sea (now Rijeka, Croatia), and then he moved to Budapest and became a contributor to the paper Hungarian Nation (Magyar Nemzet). He also worked at the editorial offices of papers published in Nagyvárad (now Oradea, Romania), Szeged, Pécs and Szabadka (now Subotica, Serbia). From 1913, he again worked in Budapest, becoming a regular contributor to the papers Pest News (Pesti Hírlap) and Pester Lloyd; he also had some poems published in the journal West (Nyugat). After the fall of the Hungarian (Soviet) Council Republic on 1 August 1919, Somlyó was mainly engaged in translating literary works. The basic tone of his poetry is a feeling of solitude and despair. His works include The Damned Poet -Discussions with God (Az átkozott költő –, megbeszélések Istennel) poems (1911); The Man’s Poems (A férfi versei) (1922), and Duchess Milonga Tango (Tango Milonga hercegnő), novel (1924). – B: 1031, 1088, 1122, 1257, T: 7456.→Somlyó, Gyögy.
Somogyi, Erzsi (Elizabeth, Lizi) (Kolozsvár, now Cluj-Napoca, Romania, 10 September 1906 - Budapest, 10 July 1973) – Actress. Already in her childhood she became acquainted with the theater, as her parents were working at the National Theater (Nemzeti Színház) of Kolozsvár. She studied briefly at the Academy of Dramatic Art, Budapest, then she played at the Renaissance Theater (Renaissance Színház) (1924). In the same year she had her debut as Marianna in Molière’s Tartuffe, and was Puck in Shakespeare’s Midsummer Night’s Dream (Szentivanéji álom). She took over Gizi Bajor’s role, Sárika in L. Zilahy’s The Sun is Shining (Süt a nap). Until her death, she played at the National Theater of Budapest, apart from two short breaks. In the last phase of her life, she excelled herself in two dramatic roles: as Linda in A. Miller’s Death of a Salesman (Az ügynök halála), and as Mary Tyrone in O’Neill’s Long Day's Journey into Night (Hosszú út az éjszakába). She also played in numerous films, radio plays and TV films. Her roles included Rosalind in Shakespeare’s As You Like It (Ahogy tetszik); Dorina and Marianne in Molière’s Tartuffe; Erzsi in Szigligeti’s Liliomfi, Szidónia in G. Csiky’s Bubbles (Buborékok); Rozika in Móricz’s Gentlemen’s Fun (Úri muri), and Ilma in Vörösmarty’s Csongor and Tünde. Her feature film roles included the Village Rascal (Falu rossza) (1937); Budapest Spring (Budapesti tavasz) (1955); Dollar Daddy (Dollarpapa) (1956), and The Tragedy of Man (TV film, 1969). She was awarded the Kossuth Prize twice (1953, 1959), and the titles of Merited Artist (1955) and Outstanding Artist (1962). – B: 0883, 1445, T: 7456.→Bajor, Gizi.
Somogyi József (Joseph) (Félszerfalva now Hirm, Austria, 19 June 1916 - Budapest, 2 January 1993) – Sculptor and teacher. He studied at the Academy of Applied Arts, Budapest, where his masters were István (Stephen) Réti, Vilmos Aba Novák and Zsigmond (Sigismund) Kisfaludy Stróbl (1936-1940). His first exhibition was held in Győr when he was 13, where he became acquainted with Miklós (Nicholas) Borsos. He completed his studies under Béla Kontuly and Zsigmond Kisfaludi Stróbl in 1941. He was one of the most talented among the post-war generation sculptors. He exhibited from 1941 on, and had one-man shows in 1946 and 1947. His works show superior sureness of form, a character that ceaselessly seeks new solutions, with his pursuit of a passionate recognition and interpretation of reality. Basically, he was a romantic artist; his creations are filled with expressiveness and radiating emotions. His monumental sculptures are characterized by inner dynamism and dramatic power. In 1958, in the Brussels World Fair, he won a Grand Prix with his composition Dancers, jointly created with Jenő (Eugen) Kerényi. His best-known sculptures include Abundance, which is in Sopron (1955), Dózsa, (in Cegléd, 1958) and Little Girl with a Colt in the Jubileum Park on the Gellért Mountain in Buda (1965). Somogyi became a teacher at the Academy of Applied Arts between 1974 and 1987, and its Rector between 1968 and 1977. He also became President of the Hungarian Artists’ Association. After 1984 he was lay President of the Hungarian Reformed General Synod and Chief Ccurator of the Transdanubian Reformed Church District. He was also a Member of Parliament and a member of the Presidential Council of Hungary. In his house in Tihany on Lake Balaton, he founded an artist colony for young artists. His works are characterized by a superior sense of form perfection, and the passionate pursuit of reality and its expression. He was a determining figure in the post-war sculptural art in public places. His works include statues of Dózsa (the insurgent), Bartók, Petőfi, Plentitude, and Nimród. His works appeared in numerous exhibitions (joint and one-man shows) in Hungary and abroad. He was awarded the Kossuth Prize (1954), the Munkácsy Prize (1956), the Grand Prix of the World Fair at Brussels (1958); he received the Merited Artist title (1966), and the Outstanding Artist title (1970). – B: 0932, 1144, 1838, T: 7456.→Borsos, Miklós; Kisfaludi Stróbl, Zsigmond; Aba Novák, Vilmos; Kerényi, Jenő.

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