Registration
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- 18.00-19.30 RECEPTION AWARD OF ANNETTE KUHN ESSAY PRIZE ALL WELCOME Hunterian Museum Saturday 27 June 9.15-10.45
- 409 Animal affect/animal agency
- 10.45-11.15 COFFEE BREAK Theatre 11.15-13.00 217a Civilised animals
- 408 Other monsters: inhuman and the everyday
- 409 Interspecies, synthesis, ecology
- 13.00-14.15 LUNCHBREAK Theatre 14.15-16.00 217a Plant life
- 217b Scar-Jo gets ‘under your skin’
- 409 Spectacle, squids and surfing: digital imaging and the inhuman
- 16.00-16.30 COFFEE BREAK Theatre 16.30-18.00 217a Imagined animals/inhuman beings
- 408 Animal theory, animal death
- 20.00 DINNER – ADVANCE BOOKINGS ONLY The Sisters, Kelvingrove Doors open 8pm; please be seated by 8.30pm latest
- 409 Animals, space and place
- 10.45-11.15 COFFEE BREAK Theatre 11.15-12.45 217a Animal deaths: ethnography, allegory, politics
- 217b Equine encounters or horseplay
- 409 From animals to the electric Adam: being human in revolutionary avant-garde Soviet cinema
- 12.45-14.00 LUNCHBREAK Theatre 14.00-15.30 CLOSING PLENARY Sir Charles Wilson Lecture Theatre
| Friday 26 June
14.00-16.00 REGISTRATION Theatre Foyer, Gilmorehill Centre 16.00-18.00 OPENING PLENARY Sir Charles Wilson Lecture Theatre Chair: Karen Lury
Herds and biopower: on the stampede spectacle
Why not look at animals? 18.00-19.30 RECEPTION & AWARD OF ANNETTE KUHN ESSAY PRIZE ALL WELCOME Hunterian Museum Saturday 27 June 9.15-10.45 217a Simian performance Chair: Brian Hoyle
Gorilla filmmaking: acting the ape in Hollywood
Producing the ape in 2001: A Space Odyssey: questions of authorship
Koba’s lie: capturing and performing animality in Dawn of the Planet of the Apes 217b Television animals Chair: David McGowan
Live animals: the role and place of BBC2’s Springwatch and related programming
‘If this was a human…’: pets and vets on television
Domesticating the wild: fictional animal US television programming in the 1960s Cin. Looking at/as animal Chair: Rachel Moore
The simian gaze: examining the human and non-human gazes in Visitors
Animality and machinic vision: drones in film and media
Emus in France: Chris Marker’s bestiaries 408 Animated animality Chair: Jackie Stacey
Animation, animism, animality: new modes of anthropomorphic subjectivity in digital animation
Animated queerdom: animalistic performativity as transgressive allegory in Queer Duck: The Movie 409 Animal affect/animal agency Chair: Laura McMahon
Affect, affluence, and the inhuman
The animal turn of contemporary documentary film (Sweetgrass, Leviathan, Grizzly Man)
Marmot Licks GoPro: the posthumanities and reflections on agency, the digital and documentary 10.45-11.15 COFFEE BREAK Theatre 11.15-13.00 217a Civilised animals Chair: Michael Lawrence
Blood and beauty in Jack Chambers’ The Hart of London
Animality and conjugality in Bombay cinema of the 1970s
‘I Shot Bambi’: death and the animal in The Yearling 217b Dog discourse Chair: Susan McHugh
The contemporary (regional) Canadian dog movie
Frankenweenie and Disney’s dog discourses
Of dogs and hot dogs: dialectics of image and language in early short films Cin. Media ethology: theoretical approaches to media behaviour and vitality Chair: Irene Gustafson
I was walking with a ghost: Reddit’s nosleep, Marble Hornets, and performed inhumanism in web-based horror
Of grids and parasites: govermentality, energy infrastructure and the mediation of habit
Biomimetic jellyfish: animating the micro through scientific imaging 408 Other monsters: inhuman and the everyday Chair: Nessa Johnston
Beyond zombies: resurrected youth in telefantasy
Uncanny moments in Les Revenants
Monsters and everyday life 409 Interspecies, synthesis, ecology Chair: Tim Bergfelder
Silk screens, caterpillars and animating an interspecies collaboration
Fishwater: The Bay and its hyperobject
Media, ecology, and the long take 13.00-14.15 LUNCHBREAK Theatre 14.15-16.00 217a Plant life Chair: Karen Lury
Inhuman rustling: film theory’s fear of nonhuman nature
The vegetal life in the films of Naomi Kawase
Shrubs and the city: the plant life of cinematic New York 217b Scar-Jo gets ‘under your skin’ Chair: Isabelle Freda
It’s Her: Scarlett and the inhuman
Hear her roar: gender, transhumanism and becoming/transcending the animal
What’s Under the Skin? Cin. Humanising children and young people: uses of the animal Chair: Katie Moylan
The werewolf as a symbol in young adult television
‘Cows! Dogs! Donkeys!’: animals, children and the inhuman in Carlos Reygadas’s Post Tenebras Lux
Captive viewers: learning in/humanity through film in Dogtooth and The Wolfpack 408 Animal celebrities Chair: Brett Mills
From cute to ugly-cute: Japanese cinema and the cute animal industry
Animal celebrity and social media: performativity, upwards mobility and transcendence
This is Your Life, Donald Duck: cartoon stars and the live aesthetic of early television
‘Scooby-Doo, Where Aren’t You?’: Time Warner, Cartoon Network, and synergizing a Great Dane 409 Spectacle, squids and surfing: digital imaging and the inhuman Chair: Alison Butler
The digital female body: ScarJo as inhuman
Becoming-wave-media: ‘posthuman performativity’, the GoPro™ camera, and researching lifestyle sports
Scarlett: the inhuman starlet, or the vamp becoming-Vampyroteuthis? Regarding squids, insects, and digital becomings in contemporary science-fiction 16.00-16.30 COFFEE BREAK Theatre 16.30-18.00 217a Imagined animals/inhuman beings Chair: Alastair Phillips
Stardom and the inhuman in Malay cinema: P. Ramlee’s portrayal of the ‘oily man’ in Sumpuh Orang Minyak
The (un)natural habitats of Alicia Scherson's animals
Water buffalo, catfish and monkey ghosts: the materiality of reincarnation in Uncle Boonmee Who Can Recall His Past Lives 217b Animal advocacy Chair: Sarah Street
From shock tactics to green sensibility: the environmental turn in animal-advocacy films
Pet-animals in the concrete jungle: tales of abandonment and sentimentality on Chinese-language screens
Studio magic, animal secrets: archival perspectives on the AHA’s Hollywood office Cin. Facing the subject Chair: Annette Kuhn
Facing the subject
Ideas in the flesh
Regarding the agential nonhuman life 408 Animal theory, animal death Chair: David Fleming
Louis Malle’s Kleistian war machine: becoming-animal, becoming-woman, becoming-imperceptible in Black Moon
Dead metaphors: killing animals in art house cinema
Human entomology: the influence of Darwin in the films of Buñuel 20.00 DINNER – ADVANCE BOOKINGS ONLY The Sisters, Kelvingrove Doors open 8pm; please be seated by 8.30pm latest Sunday 28 June 9.15-10.45 217a Maternal instinct: meat matters Chair: Becky Bartlett
Animal motherhood: Rossellini’s Mammas and the maternal instinct
‘Everything is made out of meat’: visceral vitality and carnal equivalence in Beasts of the Southern Wild
Womanliness as animal masquerade 217b Human/animal bonds Chair: Misha Kavka
Kinaesthetic empathy and the creaturely gaze in NBC’s Hannibal
Towards a queer posthumanism: blurred boundaries of animal melodrama in Wendy and Lucy Cin. Inhuman sounds Chair: Karen Lury
Can’t Hug Every Cat: modulated sounds in digital media ecologies
The voiceless acousmêtre: Paranormal Activity’s digital surround sound demon
Queering the mother board: artificial intelligence and the singularity in science fiction film 409 Animals, space and place Chair: Anat Pick
Framing aquatic life
Special effects, synthetic space, and the inhuman in King Kong and Bringing Up Baby
Pigeons, rooftops and heterotopia in On the Waterfront and Ghost Dog: The Way of the Samurai 10.45-11.15 COFFEE BREAK Theatre 11.15-12.45 217a Animal deaths: ethnography, allegory, politics Chair: Andrew Burke
Ethnocinematic animals, following Derrida
Leviathan’s resource politics
Human flesh, porcine love: Pasolini’s animals and the limits of allegory 217b Equine encounters or horseplay Chair: Claire Henry
Horseplay: personal expression and idiosyncrasy in The Turin Horse
Reflections in and on the animal eye: Of Horses and Men and its equine encounters
The taming of the Bronys: animals, autism and fandom as therapeutic performance Cin. Scripting animals Chair: Sharon Sharp
‘And your little dog too’: Toto, Terry, and animal performance in The Wizard of Oz
‘Exit Pursued by Bear’: scripting animal performers
The dog who knew too much: animal representation and performance in the films of Alfred Hitchcock 409 From animals to the electric Adam: being human in revolutionary avant-garde Soviet cinema Chair: David Sorfa
Frogs, birds and dogs: locating the human in technologically charged times
Viktor Shklovsky in the film factory
Kalatozov’s animal eye 12.45-14.00 LUNCHBREAK Theatre 14.00-15.30 CLOSING PLENARY Sir Charles Wilson Lecture Theatre Chair: Jackie Stacey
One or several dogs? Filming multispecies multitudes Directory: media media -> Applications to Drill media -> Unicef voices of Youth Chat Theme: Children and aids nigeria and Zimbabwe 13 October 2006 Background media -> Tsunami Terror Alert: Voices of Youth media -> Biblical Eschatology Presentation by: D. Paul Beck May 4, 2016 Ground Rules media -> Guide to completing the collection using the Omnibus system media -> The milk carton kids media -> Events Date and Location media -> The Gilded Age: The First Generation of Historians by H. Wayne Morgan University of Oklahoma, April 18, 1997 media -> Analysis of Law in the United Kingdom pertaining to Cross-Border Disaster Relief Prepared by: For the 30 June 2010 Foreword media -> Cuba fieldcourse 2010 Download 35.44 Kb. Share with your friends:
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