The following is taken from the 1998 Advanced Placement Art History examination

______2) The technique of the painting is a) fresco b) gouache c) oil on canvas d) tempera on panel

______3) The date of the painting is approximately a) 1100-1150 b) 1200-1250 c) 1300-1350 d) 1400-1450

______4) The painting demonstrates a) a classicizing style b) strong Byzantine influence c) Gothic emotionalism d) a planar arrangement of Romanesque figures

______5) The painting was part of a) an altarpiece b) a narrative wall painting c) an icon d) a choir screen

______6) The painting was made expressly for the cathedral in a) Padua b) Siena c) Pisa d) Florence

______7) In addition to the central Madonna and child, the work includes a) the philosophers of Athens b) allegories of the seasons c) patron saints of the city d) members of the Medici family
The following is taken from the 2005 Advanced Placement Art History examination.
______8) The work show is by which Italian artist? a) Giotto b) Duccio c) Andrea Mantegna d) Andrea del Castagno

______9) The work dates from approximately a) 800 b) 1300 c) 1600 d) 1700

______10) The work is clearly derived from the a) Byzantine style b) Minoan style c) tenebrism of Rome d) perspective of Alberti

______11) The city with which the artist is most closely associated is a) Milan b) Florence c) Mantua d) Siena

______12) The medium of the work is a) fresco b) tempera c) oil d) encaustic

______13) A feature of the work that derives from previous artistic practice is the use of a) gold leaf b) canvas c) vellum d) silverpoint

______14) The term that best describes this style of painting is a) Baroque b) Romanticism c) pre-Renaissance d) Roman

______15) The artist whose style most resembles this work is a) Antonio del Pollaiuolo b) Nicola Pisano c) Simone Martini d) Paolo Uccello

______17) The dome on the structure on the left was designed by a) Alberti b) Bramante c) Bernini d) Brunelleschi

______18) The dome on the structure on the left is crowned by a a) predella b) raking cornice c) triforium d) lantern

______19) The portals on the structure on the right include triangular a) lintels b) jambs c) gables d) lancets

______20) The structure on the right most closely reflects the French Gothic style in the design of its a) west façade b) bell tower c) crossing dome d) marble incrustation

______21) The Italian term for the bell tower seen in both images is a) baldacchino b) duomo c) loggia d) campanile

______22) Both of these structures were begun in the late a) tenth century b) eleventh century c) twelfth century d) thirteenth century

______23) These two structures were built in two different locales that can best be described as a) rival city-states b) feudal estates c) seats of royal power d) monastic communities

______24) One of the major reasons for the grand size of these two structures was to a) accommodate large numbers of pilgrims traveling to Santiago de Compostela b) challenge the authority of the Pope in Rome c) convey economic and cultural superiority d) honor a line of royal kings buried there

______26) The work dates from approximately a) 800 CE b) 1300 CE c) 1600 CE d) 1700 CE

______27) The work is clearly derived from the a) Byzantine style b) Minoan style c) tenebrism of Rome d) perspective of Alberti

______28) The city with which the artist is most closely associated is a) Milan b) Florence c) Mantua d) Siena

______29) The medium of the work is a) fresco b) tempera c) oil d) encaustic

______30) A feature of the work that derives from previous artistic practice is the use of a) gold leaf b) canvas c) vellum d) silverpoint

______31) The term that best describes this style of painting is a) Baroque b) Romanesque c) proto-Renaissance d) Roman

______32) The artist whose style most resembles this work is a) Antonio del Pollaiuolo b) Nicola Pisano c) Simone Martini d) Paolo Uccello