A bibliography of Literary Theory, Criticism and Philology


th century British fiction



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20th century British fiction

General
Blamires, Harry. "The Twentieth-century Novel." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 383-423.*

Bradbury, Malcolm. The Modern British Novel. London: Secker, 1993.

Caserio, Robert L. The Novel in England since Conrad and Woolf: Theory and History. Forthcoming 1990.

Gallix, François. Le roman britannique du XXe siècle: modernistes et postmodernes. Paris: Masson, 1995.

Green, Martin. The English Novel in the Twentieth Century: the Doom of Empire. London: Routledge 1984.

Karl, Frederick R. A Reader's Guide to Great Twentieth-Century English Novels. London: Thames, 1968.

_____. A Reader's Guide to the Contemporary English Novel. London: Thames and Hudson.

_____. A Reader's Guide to the Contemporary English Novel. New York: Farrar-Octagon, 1975.

_____. La novela inglesa contemporánea. Barcelona: Lumen, 1968.

Pérez Minik, D. Introducción a la novela inglesa actual. Madrid: Guadarrama, 1968.

Stevenson, Randall. The British Novel since the Thirties: An Introduction. London: Batsford, 1986.

_____. A Reader's Guide to the Twentieth Century Novel in Britain. Hemel Hempstead: Harvester Wheathsheaf, 1993.



Miscellaneous
Álvarez Amorós, José Antonio. "Del vanguardismo a la Segunda Guerra Mundial, 1910-1945." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 193-254.*

Bergonzi, Bernard, ed. Innovations. London, 1968.

Bevan, David, ed. University Fiction. Amsterdam: Rodopi, 1991.

Bloom, Clive, ed. Creepers: British Horror and Fantasy in the Twentieth Century. London: Pluto, 1993.

Bradbury, Malcolm, and David Palmer, eds. The Contemporary English Novel. London: Arnold, 1979.

Burgess, Anthony. The Novel Now: A Student's Guide to Contemporary Fiction. London: Faber and Faber, 1967.

_____. Homage to QWERTYUIOP. London, 1986.

Demoor, Marysa. ed. Marketing the Author: Authorial Personae, Narrative Selves and Self-Fashioning, 1880-1930. Oxford: Oxford UP, 2004. (Emilia Dilke, Rosamund Watson, Henry James, James Joyce, Virginia Woolf).

Felber, Lynette. Gender and Genre without End: The British "Roman-Fleuve". Tallahassee: UP of Florida, 1995.

Friedman, Alan Warren, ed. Forms of Modern British Fiction. Austin: U of Texas P, 1975.

Friedman, Ellen G., and Miriam Fuchs. "Contexts and Continuities: An Introduction to Women's Experimental Fiction in English." In Breaking the Sequence: Women's Experimental Fiction. Ed. Friedman and Fuchs. Princeton (NJ): Princeton UP, 1989.

Fries, Udo. "Zum historischen Präsens im modernen Englischen Roman." Germanisch-Romanische Monatsschrift 51 (1970): 321-38.

Galván Reula, Fernando. "De la segunda guerra mundial al presente, 1945-1995: Entre el realismo y la metaficción." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 255-308.*

Gascueña Gahete, Javier, and Paula Martín Salván, eds. Figures of Belatedness: Postmodernist Fiction in English. Córdoba: Servicio de Publicaciones de la Universidad de Córdoba, 2006.

Giddey, E. Crime et détection: Essai sur les structures du roman policier de langue anglaise. 1990.

Grosz, Konrad, Kurt Müller, and Meinhard Winkgens, eds. Das Natur/Kultur Paradigma in der english-sprachigen Erzählliteratur des 19. und 20. Jahrhunderts. Festschrift zum 60. Geburtstag von Paul Goetsch. Tübingen: Narr, 1994.

Harvie, Christopher. The Centre of Things: Popular Fiction in Britain from Disraeli to the Present. London: Routledge, 1991.

Hassan, Ihab. "The Antihero in Modern British and American Fiction." 1959. In Hassan, Rumors of Change: Essays of Four Decades. Tuscaloosa: U of Alabama P, 1995. 55-67.*

Hawthorn, Jeremy, ed. The British Working Class Novel in the Twentieth Century. London: Arnold, 1984.

Herman, David. "8. 1880-1945: Re-Minding Modernism." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 243-72.*

Jackson, Rosemary. Fantasy: The Literature of Subversion. London: Methuen, 1981.

Jefferson, Douglas, and Graham Martin, eds. The Uses of Fiction: Essays on the Modern Novel in Honour of Arnold Kettle. Milton Keynes: Open UP, 1982.

Kaplan, Sidney Janet. Feminist Consciousness in the Modern British Novel. Urbana: U of Illinois P, 1975.

Kellman, Steven G. The Self-Begetting Novel. London: Macmillan, 1980.

Lázaro, Alberto. El modernismo de la novela inglesa. Madrid: Síntesis, 2005.

Leader, Zachary, ed. On Modern British Fiction. Oxford: Oxford UP, 2002, pbk 2003.

Levenson, Michael. Modernism and the Fate of Individuality: Character and Form in the Modern English Novel. Cambridge: Cambridge UP, 1991.

McClure, John. Late Imperial Romance. (Reviewed by Suart Burrows). Studies in American Fiction 23.2 (Autumn 1995): 245-46.*

McCormack, Thomas, ed. Afterwords: Novelists on Their Novels. New York, 1969.

Ruddick, Nicholas. Ultimate Island: On the Nature of British Science Fiction. Westport (CT): Greenwood P, 1993.*

Santaulària, Isabel. "Un estudio en negro: la ficción de detectives anglosajona, de sus orígenes a la actualidad." In Género y cultura popular. Ed Isabel Clúa. Bellaterra: Edicions UAB, 2008.

Shaw, Patricia. "The Role of the University in Modern English Fiction." Atlantis 3.1 (1981): 4-68.

Showalter, Elaine. A Literature of Their Own: British Women Novelists from Brontë to Lessing. Princeton: Princeton UP, 1977.

Spacks, Patricia Meyer, ed. Contemporary Women Novelists. Ed. Patricia Meyer Spacks. New Jersey: Prentice, 1976.

Staley, Thomas F., ed. Twentieth-Century Women Novelists. London: Macmillan, 1982. 1984.

Thickstun, William R. Visionary Closure in the Modern Novel. Houndmills: Macmillan, 1988.

"Time Magazine All-TIME 100 Novels" (1923-2004).

http://www.time.com/time/2005/100books/the_complete_list.html

2008


Bibliography
Stevenson, Randall. The British Novel in the Twentieth Century: An Introductory Bibliography. 1988.

Early 20th / Modernism
Allen, Walter. Tradition and Dream: The English and American Novel from the Twenties to Our Time. London: Phoenix House, 1964.

Bradbury, Malcolm. No, not Bloomsbury. London, 1987.

Cavaliero, Glen. The Rural Tradition in the English Novel 1900-1939. London, 1977.

Daiches, David. The Novel in the Modern World. Chicago: U of Chicago P, 1960.

Frierson, William C. The English Novel in Transition, 1885-1940. Norman (OK): U of Oklahoma P, 1942.

Hayman, D. Re-Forming the Narrative: Towards a Mechanics of Modernist Fiction. Ithaca (NY): Cornell UP, 1987.

Hewitt, Douglas. English Fiction 1890-1940. (Longman Literature in English Series). Harlow (Essex): Longman, 1988.*

_____. "Modernism and Its Implications." In Hewitt, English Fiction of the Early Modern Period 1890-1940. Harlow: Longman, 1988. 129-35*

Hoare, Dorothy M. Some Studies in the Modern Novel. 1938.

Howe, Susanne. Novels of Empire. New York: Columbia UP, 1949.

Humble, Nicola. The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism. Oxford: Oxford UP, 2001. pbk 2004.

Hunter, Jefferson. Edwardian Fiction. Cambridge (MA): Harvard UP, 1982.

Kemp, Sandra, Charlotte Mitchell and David Trotter, eds. Edwardian Fiction: An Oxford Companion. Oxford: Oxford UP, 1997.

Kermode, Frank. Modern Essays. London, 1971.

Kern, Stephen. The Modernist Novel: A Critical Introduction. Cambridge: Cambridge UP, 2011.

Kettle, Arnold. An Introduction to the English Novel, vol. II: Henry James to the Present Day. London: Hutchinson, 1953.

Levine, George. The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley. Chicago: U of Chicago P, 1981.

Mendes, Peter. Clandestine Erotic Fiction in English 1800-1930: A Bibliographical Study. Aldershot: Scorla Press; Brookfield (VT): Ashgate Publishing, 1993. Rev. in English Literature in Transition 37.3 (1994).

Miller, Jane Eldridge. Rebel Women: Feminism, Modernism, and the Edwardian Novel. London: Virago, 1994.

Oppel, Horst, ed. Der moderne englische Roman: Interpretationen. Berlin: Erich Schmidt, 1965.

Phelps, Gilbert. "The Novel Today." InThe Modern Age. Vol. 7 of The Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1961. 2nd ed. 1963. 475-95.*

Pykett, Lynn. Engendering Fictions: The English Novel in the Early Twentieth Century. (Writing in History). London: Hodder Headline-Arnold, 1995.*

Richardson, Brian. Modernism, the Reader, and the Other: Dramas of Misreading. Forthcoming 2008. (Chapters on misreading in Conrad, Joyce, Ford and Mansfield, Woolf, Nabokov, and Ellison).

Robbins, Ruth. "The Persistence of Realism." In Robbins, Pater to Forster, 1873-1924. (Transitions). Oxford: Oxford UP, 2003.

Sacido, Jorge, ed. Modernism, Postmodernism, and the Short Story in English. Amsterdam and New York: Rodopi, 2012.

Savage, D. S. The Withered Branch. (English novel). 1950.

Schwarz, Daniel R. Reading the Modern British Novel 1890-1930. (Reading the Novel). Oxford: Blackwell, 2004.

Simon, Irène. Formes du Roman anglais de Dickens à Joyce. 1949.

Squires, Michael. "Lawrence, Dickens, and the English Novel." In The Challenge of D. H. Lawrence. Ed. Michael Squires and Keith Cushman. Madison: U of Wisconsin P, 1990. 42-61.*

Stableford, Brian. Scientific Romance in Britain, 1890-1950. New York: St Martin's, 1985.

Stevenson, Randall. Modernist Fiction: An Introduction. Lexington: Kentucky UP, 1992.

_____. Modernist Fiction: An Introduction. Hemel Hempstead: Harvester Wheatsheaf, 1993.

_____. Modernist Fiction: Revised Edition. Hemel Hempstead: Prentice Hall Europe, 1998.

Tataru, Liudmila. (Людмила Татару). Точка зрения и композиционный ритм нарратива (на материале англоязычных модернистских текстов). Москва: Издательство Московского государственного областного университета, 2009.

Trotter, David. The English Novel in History 1895-1920. London: Routledge, 1993.*

Wallace, Diana. Writing Rivalry: Sisters and Rivals in British Women's Fiction, 1914-39. Houndmills: Macmillan, 2000.

Ward, A. C. "Novelists." In Ward, Twentieth-Century Literature 1901-1950. London: Methuen, 1956. 21-86.*

White, Allon. The Uses of Obscurity: The Fiction of Early Modernism. London: Routledge, 1981.

Wilde, Alan. The English Novel from Dickens to Lawrence. London, 1970.

Williams, Raymond. "Realism and the Contemporary Novel." In Williams, The Long Revolution. 1961.

_____. The English Novel from Dickens to Lawrence. New York: Oxford UP, 1970.

_____. The English Novel from Dickens to Lawrence. London: Paladin, 1974.

_____. The English Novel from Dickens to Lawrence. London: Hogarth, 198-?

_____. "The English Novel." In The Realist Novel. Ed. Dennis Walder. London: Routledge / Open U, 1995. 2001. 233-39.*

Woolf, Virginia. "Mr Bennett and Mrs Brown." 1924. In Woolf, Collected Essays. Vol. 1. London: Hogarth, 1971.

First World War
Cecil, Hugh. The Flower of Battle: British Fiction Writers of the First World War. London: Secker and Warburg, 1995.

Raitt, Suzanne, and Trudi Tate, eds. Women's Fiction and the Great War. Oxford: Clarendon Press, 1997.



20s
Leavis, F. R., ed. "Fiction." (Reviews). In Towards Standards of Criticism: Selections from The Calendar of Modern Letters 1925-7. Ed. F. R. Leavis. London: Wishart, 1933. 29-70.


1930s
Hewitt, Douglas. "The 1930s: An Aftermath." In Hewitt, English Fiction of the Early Modern Period 1890-1940. Harlow: Longman, 1988. 196-213.*

Second World War
Munton, Alan. English Fiction and the Second World War. London: Faber, 1989.

Plain, Gill. Women's Fiction of the Second World War. (Sayers, Smith, Woolf, Mitchison, Bowen). Edinburgh: Edinburgh UP, 1996.



Late 20th
Ackroyd, Peter. "The English Novel Now." Lecture. The Listener 15 Jan. 1981. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 321-27.*

Adelman, Irving, and Rita Dworkin. The Contemporary Novel: A Checklist of Critical Literature on the British and American Novel since 1945. Metuchen (NJ), 1972.

Alexander, Marguerite. Flights from Realism: Themes and Strategies in Postmodernist British and American Fiction. London: Arnold, 1990.

Arias, Rosario, Pilar Hidalgo Andreu and Carmen Lara. "La novela del Holocausto en Inglaterra: Historia, trauma, representación." Abstract. In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*

Bernard, Catherine. "A Certain Hermeneutic Slant: Allegories in Contemporary English Fiction." Contemporary Literature 38.1 (Spring 1997): 164-84.

Burgess, Anthony. Ninety-Nine Novels: The Best in English since 1939. London: Allison & Busby, 1984.

Butler, Christopher. After the Wake: An Essay on the Contemporary Avant-Garde. Oxford: Oxford UP, 1980.

Burton, Robert Stacey. Transatlantic Literary Travels: Seven Contemporary British Novels about America. Ph.D. diss. Indiana U. University Microfilms International.

Carter, Ian. Ancient Cultures of Conceit: British University Fiction in the Post-War Years. London: Routledge, 1991.

Connor, Steven. The English Novel in History, 1950-1995. London: Routledge, 1996.*

D'haen, Theo, and Hans Bertens, eds. British Postmodern Fiction. (Postmodern studies). Amsterdam: Rodopi, 1993.* Online texts:

http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/britishpostmodern.html

2008


Díaz Bild, Aída. "La subversión de lo serio y lo trágico en la novela de las últimas tres décadas." In Márgenes y centros en la literatura británica actual. Ed. Fernando Galván. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2000. 71-92.*

Dimitrijevic, Emilija. Intimacy and Identity in the Postmodern Novel. Pieterlen (Switzerland): Peter Lang, 2008. (Byatt, Carter, Winterson).

Dubber, Ulrike. Der englische Universitätsroman der Nachkriegszeit: Ein Beitrag zur Gattungsbestimmung. (Kieler Beiträge zur Anglistik und Amerikanistik, neue Folge, 1). Würzburg: Verlag Königshausen & Neumann, c. 1990.

Duncker, Patricia. Sisters and Strangers: An Introduction to Contemporary Feminist Fiction. Oxford: Blackwell, 1992.

Duperray, Max, ed. Historicité et métafiction dans le roman contemporain des Iles britanniques. Aix-en-Provence: Publications de l'Université de Provence, 1994.

Eagleton, Terry. "Postscript: After the Wake." In Eagleton, The English Novel. Oxford: Blackwell, 2005. 331-37.*

Gasiorek, Andrzej. Post-War British Fiction: Realism and After. London: Edward Arnold. 1995.

Galván Reula, Fernando. "La distinción entre 'hechos factuales' y 'hechos fictivos' en la narrativa postmodernista." Revista Canaria de Estudios Ingleses 19/20 (1989-1990): 21-36.

_____. "Textos y códigos de la metaficción británica." Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 39-55.

_____. "Postmodernismo: las formas de la heterogeneidad." La página 2 (1992): 33-48.*

_____. "Postmodernismo: Las formas de la heterogeneidad." In Ensayos sobre metaficción inglesa. By F. Galván et al. La Laguna: Universidad de La Laguna., 1994.

_____. "Travel Writing in British Metafiction: A Proposal for Analysis." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 77-86.

_____. "La narrativa británica de finales del siglo XX: Cuestiones históricas y críticas." In Márgenes y centros en la literatura británica actual. Ed. Fernando Galván. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2000. 15-44.*

_____. "En torno al margen, en torno al centro: Aproximaciones desde la narrativa femenina actual." In Márgenes y centros en la literatura británica actual. Ed. Fernando Galván. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2000. 45-70.*

Gilmour, Robin. "Using the Victorians: The Victorian Age in Contemporary Fiction." In Rereading Victorian Fiction. Ed. Alice Jenkins and Juliet John. Houndmills: Palgrave, 2000. 2002. 189-200.*

Gindin, James. Postwar British Fiction: New Accents and Attitudes. London, 1962.

Gutleben, Christian. "Palindromes and Palimpsests: Strategies of Deliberate Self-Contradiction in Postmodern British Fiction." Miscelánea 26 (2002, issued Feb. 2004): 11-20.*

http://fyl.unizar.es/miscelanea/miscelanea.html

Haffenden, John. Novelists in Interview. London: Methuen, 1985.*



http://books.google.es/books?id=_18OAAAAQAAJ

2010


Hidalgo Andreu, Pilar. La crisis del realismo en la novela inglesa contemporánea. Málaga: Servicio de Publicaciones de la Universidad de Málaga, 1987.

_____. "La feminización de la novela postmodernista." Atlantis 12.2 (1991): 65-82.*

_____. Tiempo de mujeres. Madrid: Horas y Horas, 1995.

Hühn, Peter. "The Politics of Secrecy and Publicity: The Functions of Hidden Stories in Recent British Mystery Fiction." In Theory and Practice of Classic Detective Fiction. Ed. Jerome H. Delamater and Ruth Prigozy. Westport, CT: Greenwood Press, 1997. 39-50.

Hühn, Peter, and W. Künne. Englische triviale Frauenliteratur: Fallstudien zu ihrer Rezeption bei Schülern und Studenten. Königstein/Ts.: Athenäum, 1978.

Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge and Kegan Paul, 1988.

Kemp, Peter. "Resurrection or Decadence? Guides to the Post-War British Novel." TLS 12 nov. 1993: 24-25.

Kohlke, Marie-Luise, and Christian Gutleben, eds. Neo-Victorian Tropes of Trauma: The Politics of Bearing After-witness to Nineteenth-Century Suffering. (Neo-Victorian Series, 1). Amsterdam and New York: Rodopi, 2010.

Kotte, Christina. Ethical Dimensions in British Historiographic Metafiction: Julian Barnes, Graham Swift, Penelope Lively. (ELCH: Studies in English Literary and Cultural History, 2). Trier: Wissenschaftlicher Verlag Trier, 2001.*

Lane, Richard J., Rod Mengham and Philip Tew, eds. Contemporary British Fiction. Cambridge: Polity Press, 2003. Online preview at Amazon:

http://www.amazon.com/Contemporary-British-Fiction-Richard-Lane/dp/0745628672/ref=sr_1_22

2015


Lázaro, Luis Alberto. "El espíritu satírico en la novela británica contemporánea: Menipo redivivo." In Márgenes y centros en la literatura británica actual. Ed. Fernando Galván. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2000. 93-120.*

Lázaro, Luis Alberto, Angeles de la Concha and Constante González. "La pervivencia de la sátira en la narrativa inglesa y norteamericana contemporáneas." Proceedings of the XIXth International Conference of AEDEAN. Ed. Javier Pérez Guerra et al. Vigo: Departamento de Filoloxía Inglesa e Alemana da Universidade de Vigo, 1996. 639-42.*

Lee, Alison. Realism and Power: Postmodern British Fiction. New York and London: Routledge, 1990.*

López Ropero, Mª Lourdes. The Anglo-Caribbean Migration Novel: Writing from the Diaspora. Alicante: Publicaciones UA, 2004.

McEwan, Neil. The Survival of the Novel: British Fiction in the Later Twentieth Century. London: Macmillan, 1981.

McGuirk, Carol. "Drabble to Carter: Fiction by Women, 1962-1992." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 939-60.*



McHale, Brian. Postmodernist Fiction. London: Methuen, 1987.

Mengham, Rod, ed. An Introduction to Contemporary Fiction: International Writing in English since 1970. Cambridge: Polity; Malden (MA): Blackwell, 1999.*

Murdoch, Iris. "Against Dryness." Encounter (January 1961). Rpt. in Malcolm Bradbury, ed., The Novel Today: Contemporary Writers on Modern Fiction. Glasgow: Fontana, 1977.

Nünning, Ansgar. "Von historischer Fiktion zu historiographischer Metafiktion: Theorie, Erscheinungsformen und Entwicklungstehenden des historischen Romans in England seit 1940." Habilitation, U of Cologne, 1995.

_____. Von Historischer Fiktion zu historiographischer Metafiktion. 2 vols. Trier: Wissenschaftlicher Verlag Trier, 1997.

Onega, Susana. "La novela postmodernista en Inglaterra: Una nueva forma para el género." La página 2 (1992): 15-32.

_____. "British Historiographic Metafiction." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 92-103.*

_____. "Self, Text and World in British Historiographic Metafiction." Anglistik 6.2 (Sept. 1995): 93-106.*

Orwell, George. "Inside the Whale." 1940. In Orwell, A Collection of Essays. New York: Harcourt, 1953? 210-51.

Palmer, Alan. "9. 1945-: Ontologies of Consciousness." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 273-98.*

Palmer, Paulina. Contemporary Women's Fiction: Narrative Practice and Feminist Theory. Hemel Hempstead: Harvester Wheatsheaf, 1989.

Parrinder, Patrick. "The English Novel of Immigration: 'Real Life Unfolding like Fiction." In Proceedings of the 29th AEDEAN Conference: Universidad de Jaén 15 al 20 diciembre 2005. CD-ROM. Ed. Alejandro Alcaraz Sintes et al. Jaén: AEDEAN / Servicio de Publicaciones U de Jaén, 2006. 29-36.*

Peters, Joan Douglas. Feminist Metafiction and the Evolution of the British Novel. Garinesville: UP of Florida, 2002.

Phelps, Gilbert. "The Post-War English Novel." In The Present. Vol. 8 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1983. 417-49.*

Raper, Julius Rowan. Narcissus from Rubble: Competing Models of Character in Contemporary British and American Fiction. Baton Rouge: Louisiana State UP, 1992.*

Sacido, Jorge, ed. Modernism, Postmodernism, and the Short Story in English. Amsterdam and New York: Rodopi, 2012.

Scanlan, Margaret. Traces of Another Time: History and Politics in Postwar British Fiction. Princeton (NJ): Princeton UP, 1990.*

Schmid, Susanne. Jungfrau und Monster: Frauenmythen im englischen Roman der Gegenwart. Berlin: ESV, 1996.

Shaffer, Brian. A Companion to the British and Irish Novel 1945-2000. Oxford: Blackwell, forthcoming 2004.

Stevenson, Randall. "No Experiments, Please, We're British: Postmodernism and Contemporary Fiction in Britain." Miscelánea 11 (1990): 123-42. Rpt. as "Postmodernism and Contemporary Fiction in Britain." In Postmodernism and Contemporary Fiction. Ed. Edmund J. Smyth. London: Batsford, 1991. 19-35.

Taylor, D. J. After the War: The Novel and English Society since 1945. London: Chatto, 1993.

_____. After the War: The Novel in England since 1945. 1993. London: HarperCollins-Flamingo, 1994.*

Todd, Richard. "The Presence of Postmodernism in British Fiction: Aspects of Style and Selfhood." In Approaching Postmodernism. Ed. Douwe Fokkema and Hans Bertens. Amsterdam: Benjamins, 1986. 99-117.

_____. "Confrontation within Convention: On the Character of British Postmodernist Fiction." In Postmodern Fiction in Europe andthe Americas. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi; Antwerpen: Restant, 1988. 115-26.*

_____. Consuming Fictions: The Booker Prize and Fiction in Britain Today. London: Bloomsbury, 1996.

Waugh, Patricia. "Post-War Women Writers: Challenging the Liberal Tradition." (Drabble, Brookner, Plath, Tyler, Paley). In Waugh, Feminine Fictions: Revisiting the Postmodern. London: Routledge, 1989. 126-67.*

Zeigler, Heide, and Christopher Bigsby, eds. The Radical Imagination and the Liberal Tradition: Interviews with Contemporary English and American Novelists. London, 1982.

Series
(Contemporary Novelists Series). Manchester: Manchester UP, 2006.





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